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Usually, these get charted out into the so-called overtones, thirty-two partials or overtones, and you can see them playing out here .
通常,这些音就是图表上所谓的泛音,三十二个分音,或者叫泛音,在这张图中能清楚地看到
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If you've ever worked with a synthesizer: I think, is very simple terms here, what an electronic synthesizer does is play with these.
如果你们使用过合成器,这个词大家都明白意思吧,电子合成器就是用来处理这些分音的
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They can push down the thirteenth partial and bring up the fifteenth and thereby change the sound of a clarinet into a French horn.
压低第十三分音,或者提高第十五分音,从而将单簧管的声音变成圆号的
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Well, we have a particular recipe for instrumental timbre or instrumental color and it's the intensity of the overtones with -- or partials-- within each particular instrument that creates that.
我们乐器的音质,或者说音色,也有独有的配方,那就是每种乐器营造的,分音,或泛音的强度
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They can push down the seventh partial.
它们能压低第七分音
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They can bring up the ninth partial.
也能提高第九分音
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So when we hear any particular sound, again, we're hearing an amalgam of many sounds, and the importance of each of these partials in the aggregate of sound is what gives it its particular color.
那么,当我们听到某个声音的时候,其实听到的是很多声音的混合物,混合声音中的这些分音之所以重要,就是因为它们决定了自身特定的音色
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They play with these partials on each of these notes, but this is just one sound with all of these other things mixed in to the medley that produces the quality or timbre of a particular instrument.
它们改变音符中的分音的强度,不过这只是一个声音,要算上其它所有分音的集合,才能构成一个特定乐器的音色
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In this case, the basic column of air is twelve and a half feet long and there are something called "Partials" or the "Harmonic series" That happens in anything, on a string instrument or whatever, but on the horn it's very distinct and that's what makes the different notes.
像这样,基本空气柱有十二个,每个半英尺长,圆号能发出分音,或泛音列,弦乐器或是,其他别的乐器中都有,但在圆号上,效果相当不同,这就是它能奏出不同音符的原因
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