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So, it has a quality that is different from Humbert's elaborate world view through which we see or don't see Lolita.
所以它有一种不同于亨伯特的精制世界观的特质,这在洛丽塔里也许出现过。
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is to see through the group of human rights, if there are certain levels of social justice that we can ensure for every last person simply because they are human.
它提出要看到所有这些人权的本质，如果存在不同层次的社会正义,我们就要保证每个人获得某种程度的正义,就因为他们是人。
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And we go through that with our board as well, for all of our senior leaders, so they kind of see how our leaders develop.
我们也征询董事会的意见，看看他们对所有高级领导的看法，所以他们知道我们的领导们是如何发展的。
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And you'll see as we go through the other big-- the other two "big three" that there is a kind of repetition of this theme.
你们将发现-,在我们讨论其他两大可变因素的时候“,主题上有些重合。
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And we can see that we are able to grasp them through the mind.
同时看到我们能够用心灵,去掌握它们
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So, that can be a little bit confusing for us to think about, and when it's a very good question you might, in fact, say well, maybe there's not zero probability here, maybe it's just this teeny, teeny, tiny number, and in fact, sometimes an electron can get through, it's just very low probability so that's why we never really see it.
这想起来有点令人困惑，你们可能会说也许，这里的概率并不是严格的为零，而是非常非常小，所以有时电子就可以穿过去，这是个,很好的想法。
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Well,if you go back to the formation of musical notation from the ninth through the twelfth centuries we see that very early on these two dimensions of music the two axes of music that we talked about before pitch vertically and duration horizontally, are in place and we have these spots in this grid.
回顾一下从公元九世纪至二十世纪,音乐记谱法的历史形成过程,我们可以看出,音乐的两个维度,就是我们之前提到的音乐的两个轴,纵轴是音高,横轴是时值,在早期已经存在了,我们在这样的网格上用点记录
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We weren't going to be in a position to see that until we went through all the stuff we've been going over for the last couple of weeks.
我们处理了过去几周研究过的问题,才能搞清这个。
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It won't be that--We can see why that personality emerges through karmic cause and effect in any way that are a function of what I was like in my life.
我们能明白为什么人格是如何通过,因果作用产生并且作用在我的生活中的。
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