• Now I want to pause a little bit more, then, in this regard over Derrida's distinction between writing and speech--writing, ecriture.

    现在我想再停下来花一点儿时间讲讲,德里达的书写和演讲之间的区别,书写,文字。

    耶鲁公开课 - 文学理论导论课程节选

  • We cannot say writing came into being belatedly with respect to speech in order to reproduce, imitate, or transcribe speech.

    我们不能说书写比演讲产生得更晚,是为了复制,模仿,或者是记录下演讲的内容。

    耶鲁公开课 - 文学理论导论课程节选

  • Well, that's a version of what we hear in the poem when we hear the forms of strained relation between Frost's dynamic speech sounds and the metrical pattern of his writing.

    这是我们从这首诗中领略到的一种版本,当我们感受到这种紧张的关系,在弗罗斯特的动态的语言音律,和他写作的韵律结构之间。

    耶鲁公开课 - 现代诗歌课程节选

  • This is a distinction which is not meant sort of counter-intuitively to suggest that somehow or another, as opposed to what we usually think, writing precedes speech--not at all.

    这个区别没有在某种程度上故意地,与我们的直觉相反,暗示,无论如何,与我们通常想的相反,我们通常认为书写是在讲话之前的,完全不是这样。

    耶鲁公开课 - 文学理论导论课程节选

  • Writing and speech are interdependent and interrelated phenomena which do different things.

    书写和演讲是相互依赖的现象,它们有不同的功用。

    耶鲁公开课 - 文学理论导论课程节选

  • The riff on the a in differance as all of those things is something that we can only pick up if we understand language as writing, because in speech these modes of difference don't register.

    延异》中a的那一章的内容,我们只能通过看文字理解,因为在言语里我们无法区分这些差别。

    耶鲁公开课 - 文学理论导论课程节选

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