It's almost as if the entire point of a pastoral is that it is set in a world that neither the urbane poet nor the urbane reader has actually any real experience with.
似乎田园诗的全部意义就在于它的背景设在田园,而不管是都市诗人还是都市读者,都没有任何实际的田园经历。
Literary theory just takes those for granted as part of the sense experience, as one might say, of any reader and prefers, rather, to dwell on questions of description, analysis and speculation, as I've said.
文学理论把这些,当作是读者感性认识的一部分,它更喜欢讨论关于描述,分析和猜测的问题,正如我之前,说过的那样。
First of all, Empson doesn't really kind of settle into - a sense that it's all about the reader-- that is to say, that it's all about the reader's experience of the literary.
首先,Empson并没有真正,从读者角度考虑问题-,也就是说,没有从读者的文学经历上考虑。
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