What is that called when you change the fundamental pitch in a piece, going to a different pitch level?
当你改变曲子的音高的时候,这叫什么,改变音高的层级吗
Here is the pitch in--of--a string an octave higher so you can see it this way. As you probably know, if you take a long string and pluck it, it's going to take that long string a long time to pass that sort of cycle, if you will, just one pass through that cycle.
这也是个音高,一个高八度的音弦,你可以这样这样看 你们可能知道,如果你拨动长弦,长弦要经过很长时间,才能完成一个震动周期,如果你想,可以尝试下
The unsorted, and you have exactly the point I want to get to-- how come all the guys, sorry, all the people answering questions are way, way up in the back? Wow. that's a Tim Wakefield pitch right there, all right. Thank you.
所有的同学,抱歉,所有的人们都是这么回答的,扔到后面,哇,这是一个Tim,Wakefield式的投掷啊,谢谢!,他完全正确,不是么?这比这小么?
Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.
音乐的音高一般会围绕着主音高浮动,在贝多芬的第五交响乐中 ,我们还没发现这个主音高
They'll have something going and then almost unbeknownst to you they will take that and lift it up in terms of the pitch content.
他们会让音乐继续,然后出其不意,通过音高大小,来升华它
You can see them in the sopranos and altos up there and they just sit there on that pitch--a long note: one, two, three, four.
你可以在高音与中音区看到他们,而且他们一直留在那个音高上,一个长音符,一,二,三,四
We talk in terms of high pitch and low pitch although we'll fine tune that next time, and then we have this idea of duration or time, which we tend to write out in symbols that move from your left to right.
我们是从高低方面来谈论音高,即使我们将于下次讲解曲调的问题,我们已经有了音符时值或时间的概念,我们倾向于用符号来表示,时间是从你的左边向右边移动的
Here's a group of sounds, different pitches and actually three different pitches in there, as opposed to just one pitch--one pitch, three pitches or three or four pitches, moving in different ways, kind of independent rhythmic chords, so that's the difference between monophonic, homophonic and polyphonic texture.
这是一组音,不同的音高,事实上三个不同的音高,相对于一个音高,一个音高,三个音高或四个音高,以不同方式运动,像有独立节奏的和弦,这就是单音,主音和复音织体的区别
Well,if you go back to the formation of musical notation from the ninth through the twelfth centuries we see that very early on these two dimensions of music the two axes of music that we talked about before pitch vertically and duration horizontally, are in place and we have these spots in this grid.
回顾一下从公元九世纪至二十世纪,音乐记谱法的历史形成过程,我们可以看出,音乐的两个维度,就是我们之前提到的音乐的两个轴,纵轴是音高,横轴是时值,在早期已经存在了,我们在这样的网格上用点记录
I don't really care what key he's in 'cause I don't have absolute pitch, but I can find well, maybe it's a I,VI,IV,V,I chord progression or a I, I IV V I V,I progression or I,IV,V,I.
我也不需要知道他所用的调号,因为我不知道确切的音高,但是我能听出其中的和声,可能是一个,I,VI,IV,V,I级的和声进行,或者,是一个I,V,I的进行,或者。
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