• It's rhymed iambic tetrameter, four beats per line, with some variations.

    这是首押韵的短长体四音部句,一行四音,也有些变化。

    耶鲁公开课 - 现代诗歌课程节选

  • where all the beats, the b-generation in the 50s gathered and they used to sell banned books.

    那里全是50年代时的反传统一代留下的书,那些书当时是禁书。

    进步的旧金山 - SpeakingMax英语口语达人

  • And again, we're not saying choosing 2 beats choosing 1, 2 wins against 1 or 9 wins against 10.

    我们不是说选立场2会击败选立场1的,选立场2能赢立场1的,或者选立场9能赢选立场10的

    耶鲁公开课 - 博弈论课程节选

  • A couple of hours, because typically there's just one battle; one side beats the other and that's the war for now.

    几个小时,一般来说只有一次战斗,一方攻打另一方,这就是战争

    耶鲁公开课 - 古希腊历史简介课程节选

  • The language that the Beats tried to imagine, tried to write, takes up some of these problems that we saw in Nabokov.

    垮掉的一代试图想象和写出的语言,同样是是我们在纳博科夫的书里所看到的问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.

    注意在开头,在开始的部分,和弦持续了4小节也就是8拍。

    耶鲁公开课 - 聆听音乐课程节选

  • One class of them is beta-blockers, they bind to beta-adrenergic receptors, which are receptors that exchange information between your nervous system and the contractile system that beats your heart and that causes the heartbeat.

    一类药物是β阻断剂,它们与β肾上腺素受体结合,这种受体能够在神经系统和,控制心跳的心肌收缩系统之间传递信息,从而产生心跳

    耶鲁公开课 - 生物医学工程探索课程节选

  • We'll sit on the dominant chord for eight beats and I will look over and everybody else will come back in at the end of Chris's solo."

    主和弦占八拍,然后我会见机行事,在克里斯的独奏结束时大家回到主调

    耶鲁公开课 - 聆听音乐课程节选

  • So it's not the case that top always beats-- it's not the case that top always does better than bottom, or that bottom always does better than top.

    也就是说选择上并不总是最优的,上并不总是优于下,或者下并不总是优于上

    耶鲁公开课 - 博弈论课程节选

  • Yeah,it's regular, and with-- each chord was holding for two beats there in duple meter.

    对,这是规则变化,每个和弦都维持两拍,这里一小节两拍。

    耶鲁公开课 - 聆听音乐课程节选

  • Embarrassment is something that the Beats value.

    难堪正是垮掉的一代所重视的东西。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You're not going to get that in the Beats.

    这你是不会在垮掉的一代里看到的。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • If we have a particular rhythm, and this is a rhythm, and here are the beats and the meter underneath, we would be coming along one, two-and, one, two.

    如果我们有一段节奏,这里就有一段节奏,而下面标明了节拍和拍子,我们就能一二,一二

    耶鲁公开课 - 聆听音乐课程节选

  • Okay? So repetitious, rhythm, beats, strong pulsation to it.

    不停的反复,节奏,鼓点,强烈的脉动

    耶鲁公开课 - 聆听音乐课程节选

  • So in music what has happened is that we have organized this steady stream of beats in ways that we can understand.

    因此在音乐里,我们用可以理解的方式,把这些稳定的一连串拍进行重组

    耶鲁公开课 - 聆听音乐课程节选

  • The excess requires, for the Beats, a new kind of language.

    过度这种要求垮掉的一代有一种新的语言。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It does not mean 2 beats 1.

    这不意味这立场2会击败立场1

    耶鲁公开课 - 博弈论课程节选

  • There would be two weak beats or two unstressed beats between each strong beat.

    会有两个弱拍或者说是非强拍,存在于每个强拍间

    耶鲁公开课 - 聆听音乐课程节选

  • If you read Walt Whitman, you will see much of the same ethos So, Ginsberg is not the first to do this in the American tradition, for sure, but it's a very important part of what the Beats revive.

    如果你读过沃尔特惠特曼,你会发现类似的思潮,所以金斯堡肯定不是第一个在美国传统上这么做的,但它是使垮掉的一代复兴的重要部分。

    耶鲁公开课 - 1945年后的美国小说课程节选

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