Well, of course,the most famous Greek case,I think of these things, is in Sophocles' play Oedipus the King, which illustrates it perfectly well.
尼弥西斯:希腊神话中司复仇的三女神的总称 关于这种情况,最著名的希腊案例,我想是,索福克勒斯的《俄狄浦斯王》,它对其进行了完美的阐述
By the first century, when Christianity was coming around, it was not so much the place where you'd go to see necessarily high theater, like Sophocles or Euripides or something like that.
公元一世纪,基督教诞生时,当时的剧院,上演的并不是什么高级戏剧,比如索福克勒斯或者欧里庇得斯的戏剧。
The existence of that play shows to all of us just how seriously Socrates was taken by the greatest of his contemporaries and Aristophanes was along with Sophocles and Euripides and others among the greatest of the Greek playwrights.
这剧本的存在让我们所有人了解到,当代大师有多看重苏格拉底,包括亚里斯多芬尼斯,还有索夫克里斯,尤里庇狄思等大家,及其它伟大的希腊剧作家。
In other words, Freud, Sophocles, all of the other versions I have at my disposal, have equal merit as versions, but none of them is a transcendental signified, none of them is a blanket term, and none of them is the causal explanation or meaning of the myth.
换句话说,弗洛伊德,索福克勒斯,还有所有其它供我使用的版本,都用同样的优点,但它们中没有一个是超验所指,没有一个是概括性话语,没有一个是神话的随意解释或意义。
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