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We are continuing to challenge the matter in court." Malema said he would substitute the offending words with another phrase, but continue to sing it.
VOA: standard.2010.04.08
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He adds to this image that is perfectly, sufficiently filled with grotesquery as it is -- he adds this next phrase: "and mad'st it pregnant."
他进一步描绘这幅景象，这是完全荒诞不经的了--下一句他写道：,“使它怀孕“
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The way to understand the big three is with the phrase "all other things being equal."
我们理解的前提,是假设其他因素相同“
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Milton corrects -- it's as if he's correcting the sense of monotony with which he had begun the poem, and he corrects that sense of monotony by rewriting that initial phrase.
弥尔顿纠正道-正如他纠正那种单调的枯燥感,他用诗歌的开头句进行了纠正，他还通过重写开头句来纠正那种枯燥感。
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So it has a kind of antecedent-consequent phrase structure with the chord.
这里像是一个前后分句的结构，配上和弦。
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But I want to say, on Plato's behalf, no, it's not, on behalf of the argument, Socrates should never have concluded the argument with this odd qualifying phrase that the soul is indestructible or nearly so.
但是我想代表柏拉图说，不，是代表这个论证，苏格拉底绝不该,在这个结论里,加上这个奇怪的量的修饰词,灵魂几乎是不可摧毁的。
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Now we began this poem with the sense of the dreary repetitiveness in that opening phrase, "Yet once more," but here very close to the poem's end we have a vision of an end to all those fruitless exercises of repetition.
现在我们带着首句，“然而再一次的“里,沉闷的重复感开始读这首诗“,但是在诗的最后我们有一种,所有徒劳的重复行为都结束了的感觉。
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When Milton opens Lycidas with that phrase, "Yet once more," one of the things that he's telling the reader is that ; yet once more he'll be making the same argument for unreadiness; the same argument for nervous anticipation that he'd made a number of times before.
当弥尔顿用那句“然而再一次的“开始的篇章时“,他要告诉读者的是,他会再一次的对诗中的迟疑作出相同的论述;,和他之前无数次作出的,关于不安的预知的，一成不变的论述。
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So, we start out here with an opening phrase.
那么,我们从首句开始
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Now here we go with our phrase.
现在注意乐句开始
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So, what happens here is this opening phrase, that we'll call A-- musicians like to label stuff just with alphabetical labels to keep it simple.
那么,首句这里,我们称作A,音乐家喜欢用字母,来做标记,这样比较简单
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