• The old man wore thick gloves on his hands and a mask over his mouth and nose.

    VOA: special.2009.05.23

  • Moreover, modern therapists, including some people who aren't psychoanalytically defined, will say, "Look. These drugs are all well and good " but what they do is they mask the symptoms."

    而且,现代的心理治疗师们,包括一些非精神分析治疗师在内,都会说,“这些药效果非常好,但它们治标不治本“

    耶鲁公开课 - 心理学导论课程节选

  • The heroine of the mask, as you know, doesn't seem to have a Christian name. She's not Britney or Lindsay.

    你们也知道《面具》里的女主角,似乎没有教名,她不是布兰妮或林赛。

    耶鲁公开课 - 弥尔顿课程节选

  • Shining treasures filled the tomb, including a solid gold mask of Tutankhamen's face.

    VOA: special.2009.12.15

  • I think that the entry could be seen as in some way helpful for our understanding of this poem, the Mask.

    我觉得这个条目某种程度上来说,对我们理解《面具》这首诗是有帮助的。

    耶鲁公开课 - 弥尔顿课程节选

  • Arick inhaled the mist through the mask.

    VOA: special.2009.07.28

  • The two brothers in the mask engaged in that philosophical debate about the force, or the strength, of virginity.

    戏中的两兄弟曾为,贞洁的力量这一哲学问题争论过。

    耶鲁公开课 - 弥尔顿课程节选

  • the 2003 production that pitted him against the hockey mask-wearing slasher from the "Friday the 13th" franchise,Jason Voorhees).

    VOA: standard.2010.05.04

  • We have no choice but to understand that Milton's mask is serious business The whole production is one of the utmost seriousness.

    我们没有选择只能理解《面具》是件很严肃的事,整个演出都是很严肃的事情。

    耶鲁公开课 - 弥尔顿课程节选

  • But study author Kristine Funk, the Kaiser Permanente Center for Health Research says those averages mask significant differences within the group of website users.

    VOA: standard.2010.07.30

  • So in this guise with the mask of Saint Peter on he's -- Milton's -able to be both poet and minister.

    因此在圣彼得的面具掩盖下,弥尔顿能够身兼诗人和牧师的双重职责。

    耶鲁公开课 - 弥尔顿课程节选

  • One newspaper vendor is one of the people wearing a mask.

    VOA: standard.2009.04.30

  • It's a perfectly reasonable sentiment to include in an example of the particular genre that Milton is writing his mask in.

    弥尔顿在他的《面具》,这一特别的流派中包含这个例子,是完全合理的。

    耶鲁公开课 - 弥尔顿课程节选

  • And I'm going to ask you to think of all of the images here, the figurations of listening and hearing in the mask.

    我叫你们想象下这场景,《面具》里听觉和视觉的轮廓。

    耶鲁公开课 - 弥尔顿课程节选

  • He had just come from writing the music for a number of masks by the celebrated playwright and mask-writer Ben Johnson.

    他刚刚为著名的剧作家和面具作者本约翰,写的《面具》作了很多曲。

    耶鲁公开课 - 弥尔顿课程节选

  • Is it possible to say that she successfully conveys a moral program that we can any way identify as the official doctrine of the mask?

    是否可以说她成功地传达了一个道德课程,让我们能以任何方式标识为《面具》的官方学说?

    耶鲁公开课 - 弥尔顿课程节选

  • And we see in the poem itself an anticipation of the struggle that results eventually in the eighteenth century in the new title of the mask.

    我们看到,诗本身是一个预期的斗争,在18世纪面具的新标题中最终出现了。

    耶鲁公开课 - 弥尔顿课程节选

  • The music for the mask, which still exists at least, the melody still exists, was written by Henry Lawes, the most important musician working in England.

    现在流传下来了的《面具》的音乐,亨利劳斯写的旋律依然存世,亨利是英国最伟大的作曲家。

    耶鲁公开课 - 弥尔顿课程节选

  • I think there's a connection here between the image from the commonplace book and the treatment in Milton's mask of this strangely conjoint phenomenon of virginity and speechlessness.

    我认为,笔记书中的形象,和弥尔顿《面具》中有关童贞和无语这一共同现象,是有联系的。

    耶鲁公开课 - 弥尔顿课程节选

  • But you can see from the text that you have in your Hughes editions -- - or any edition, any printed edition now -- the speech continues in the version of the mask that we have.

    但是你们可以在休斯版本的书里看到-,或者其他版本,其他任何印刷版本-,演说在《面具》里以我们知道的版本继续。

    耶鲁公开课 - 弥尔顿课程节选

  • So the Lady in the 1637 version of this poem, of this mask,is at an impasse.

    所以在1637年版本的《面具》中,这位女士,陷入了僵局。

    耶鲁公开课 - 弥尔顿课程节选

  • But first we need to establish a few things about the occasion for this piece and about the genre, the literary genre of the mask in general.

    但首先我们必须建立一些,关于此作品与流派,一般文学体裁《面具》的场合。

    耶鲁公开课 - 弥尔顿课程节选

  • It's one of the duties of the mask's plot to get the Lady out of her seat.

    将女士从座位中救出时《面具》情节的一个职责。

    耶鲁公开课 - 弥尔顿课程节选

  • Now you will remember that the mask Comus was everywhere well, the strangely intertwined questions of the power of chastity on the one hand and the power of poetry on the other.

    你们应该记得,面具戏《科玛斯》处处都,一方面是贞洁的力量,一方面是诗歌的力量,这两股奇特的纠缠在一起的力量。

    耶鲁公开课 - 弥尔顿课程节选

  • She says nothing after this encounter, remaining silent or speechless for the rest of the mask, but Milton clearly finds, I think, something threatening here.

    在这次相遇中她什么都没说,在接下来中也保持着沉默寡言,可我认为弥尔顿在这里找到了一些威胁。

    耶鲁公开课 - 弥尔顿课程节选

  • The mask is all about the act of hearing song and the ethics of proper listening.

    面具》就是讲听歌的行为,和聆听的道德问题的。

    耶鲁公开课 - 弥尔顿课程节选

  • The Elder Brother has obviously upped the ante in the mask's overvaluation of virginity.

    很显然,大哥提高了面具中高估贞操的赌注。

    耶鲁公开课 - 弥尔顿课程节选

  • It seems that Lawes himself actually played the role of the attendant spirit, that beneficent, slightly frightening figure who hovers over the entire landscape of the mask.

    看起来好像,劳斯自己扮演了跟班精神,那善行微妙地,让那些参与《面具》创作的人员产生了恐惧。

    耶鲁公开课 - 弥尔顿课程节选

  • Alice is fifteen years old at the time, not an entirely unreasonable age for an actress or an amateur actress playing the maidenly but strong-headed Lady of Milton's mask.

    当时爱丽丝,15岁,她的年龄完全不适合演弥尔顿所描绘的,沉稳而意志坚强的小姐。

    耶鲁公开课 - 弥尔顿课程节选

  • Now the theatrical form of the mask differs in a number of ways from the more familiar dramatic form of the play, with which we're all obviously much more comfortable with.

    现在面具的表演形式,与我们更熟悉更适应的戏剧表演形式,在很多地方相差很远。

    耶鲁公开课 - 弥尔顿课程节选

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