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Six years later when Milton writes Lycidas, he's employing the same fiction of unreadiness and filled with all of the same anxiety of under-preparedness.
六年后弥尔顿写《利西达斯》的时候，表现的还是这种未准备好的状态,充满了同样的为薄发而厚积时的焦躁。
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What's the relationship between fiction and what we all experience as the real world?
小说和我们的现实经历,的关系又是什么？
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Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语，一旦我们习惯了,这种科学视角，我们为什么还需要伪陈述和虚构呢？
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Although I've been giving science fiction examples in which the mad scientist duplicates my memories and beliefs and desires,they've all been science fiction examples.
虽然科幻作品中能设定,疯狂科学家将我的记忆以及欲望复制,但都是科幻作品中的例子。
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Milton's pushing here toward a fantasy of physical invulnerability imagining an alternative -- this is science fiction an alternative model of bodily configuration that would render impossible the all-too-easy quenching of the tender eyeballs.
弥尔顿在这幻想着人的身体可以刀枪不入,他在想象一个另类的-这只是科幻,他在想象一个另类的身体构造模型,这样脆弱的眼球,就不会轻易受到伤害。
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All of Iser's work is grounded in the notion of literature as fiction.
伊瑟尔的所有作品持有文学即虚构的概念。
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As I say, of course, they're all science fiction, but the fact that we can grasp-- and it's not as though we go running away saying, "Oh no! This was outrageous," Right?
正如我所说,的确,这些都只是科幻作品而已,但我们仍然可以从中有所领悟,我们并不会直接走掉,说,哦,不,这实在是太不可思议了,对吗
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I mean, after all from the physicalist's point of view, we're just a kind of glorified robot, able to do all sorts of things that most robots in most science fiction movies can do.
我的意思是,根据物理主义者的观点,人只是一种"高级"的机器人,能做到大多数科幻电影里,大多数机器人所能做到的事
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There's a short story by the science fiction writer Orson Scott Card, where the basic point of the story is that of all the life forms in the universe, we, here on Earth, are the only ones that are mortal.
科幻作家Orson，Scott，Card写了一个短故事，该故事的主旨是,在宇宙的所有生命形式中，我们，在地球上是唯一终有一死的生命。
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