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In addition,he said you may want to cover your face with a mask.
VOA: special.2009.07.14
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If I'm wearing a mask as I do my terrible stuff, nobody will know it's me, but there's also a psychologically liberating effect.
如果我干坏事是戴上面具，就没人知道是我，除了这个原因，还有一种心理解脱效应。
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Now as I mentioned, the title of this piece was originally A Mask Presented at Ludlow Castle, and it seems actually to have been known by the reading public by this title for a good hundred years or so.
现在正如我提到的，这部作品的标题,最初是拉德洛城堡里上演的《面具》,它似乎已经在好几百年前,就因为这个标题被广大读者熟知了。
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One newspaper vendor is one of the people wearing a mask.
VOA: standard.2009.04.30
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I always want to--modern football helmets which are monstrous-- I'm so old we used to play with leather ones without a face mask.
现代美式橄榄球的面具就跟怪兽一样的,我老了,我们小时候打球都是皮质头盔而且没有面具的
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VOA: standard.other
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I actually want to change that around, if I might, and play with that, because that's a really useful image for us: "takes the mask off literature and reminds us how we come to be sympathetic or Richard Wright how we come to think something." Think back to Richard Wright, who wants words to disappear, to be completely transparent and to leave you just with your response.
实际上，我想要改变一点，可能的话，玩弄一下，因为那对我们是很有用的画面：,把文学的面具卸下,我们是如何同情,或思考事物的，回想一下，他希望文字消失，而变成透明的，只剩下你们的回应。
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They showed the faces of people in a land that still wore the mask of defeat in America's Civil War.
VOA: special.2009.05.17
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And so in the case of A Mask here, it's the Lord John Egerton, the Earl of Bridgewater who commissioned Milton to write a piece honoring his own inauguration in his new role as the Lord President of Wales.
所以在《面具》这个例子中，是贵族约翰埃杰顿，布里奇沃特伯爵,指派弥尔顿去写一篇文章,来歌颂他掌管威尔士的就职典礼的。
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Shining treasures filled the tomb, including a solid gold mask of Tutankhamen's face.
VOA: special.2009.12.15
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it's too easy but it's also too delicious to take this little biographical fact of Milton's college nickname and use it in some way as a tool for reading A Mask.
这简单却有趣,把弥尔顿大学时的昵称记事,利用并作为一种工具去阅读《面具》
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Supporters can become "merry men and women" by putting a green mask on their online photo, or printing one to wear.
VOA: standard.2010.02.18
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So I want to propose that the literary traditions' renaming of this piece from A Mask to Comus is more than just a slip, or more than just a random shift of terms or of names.
所以我想提出,从面具到Comus的文学传统的重命名,不仅仅是一个失误，更不仅仅是一个术语或名称的随机变化。
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It's a perfectly reasonable sentiment to include in an example of the particular genre that Milton is writing his mask in.
弥尔顿在他的《面具》,这一特别的流派中包含这个例子,是完全合理的。
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He had just come from writing the music for a number of masks by the celebrated playwright and mask-writer Ben Johnson.
他刚刚为著名的剧作家和面具作者本约翰,写的《面具》作了很多曲。
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I think there's a connection here between the image from the commonplace book and the treatment in Milton's mask of this strangely conjoint phenomenon of virginity and speechlessness.
我认为,笔记书中的形象,和弥尔顿《面具》中有关童贞和无语这一共同现象,是有联系的。
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But first we need to establish a few things about the occasion for this piece and about the genre, the literary genre of the mask in general.
但首先我们必须建立一些,关于此作品与流派，一般文学体裁《面具》的场合。
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I think we could make some estimation of its significance if we juxtapose it with Comus since The Mask attempts to tackle, in a much more expanded form, so many of the same issues.
我认为我们可以评估一下它的重要意义,如果我们将它与《科玛斯》并列，因为《面具》试图，以扩大许多的形式去处理许多相同的事件。
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It's one of the interesting and curious features of the Protestant mask, Comus,that this is a distinction that's never really observed or acknowledged. Virginity and chastity seem to be used often and kind of awkwardly, I think, interchangeably.
这是新教徒面具里一种有趣而不寻常的特征，《科玛斯》，这是一种永远,不会被发现或是承认的区别，我觉得童贞和贞节,似乎经常被笨拙的互换使用。
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Anyway, if you imagine sort of putting on a modern football helmet, with that mask in front of you, you would begin to get an idea, only begin to get an idea of what it was like to have that bronze helmet on your head.
总之,如果你戴着一个现代橄榄球头盔,前面还有面具,你就能稍微体会一下那种感觉了,但这还是跟铜质头盔的感觉,相去甚远的
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Is it possible to say that she successfully conveys a moral program that we can any way identify as the official doctrine of the mask?
是否可以说她成功地传达了一个道德课程,让我们能以任何方式标识为《面具》的官方学说？
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Now the theatrical form of the mask differs in a number of ways from the more familiar dramatic form of the play, with which we're all obviously much more comfortable with.
现在面具的表演形式,与我们更熟悉更适应的戏剧表演形式，在很多地方相差很远。
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So Milton wrote this mask with a specific cast and a specific audience in mind.
所以弥尔顿在写《面具》时,心里已经有了特定的演员与观众。
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Shakespeare presents himself as something like a powerful temptation in this mask.
莎士比亚,把自己当作像面具里的一个强大诱惑。
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In the first place, a mask is nearly always occasional.
首先，这个节目几乎是偶然的。
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The heroine of the mask, as you know, doesn't seem to have a Christian name. She's not Britney or Lindsay.
你们也知道《面具》里的女主角，似乎没有教名，她不是布兰妮或林赛。
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So you get something like a conflict developing in Milton's mask.
因此你们在弥尔顿的面具中，感受到一种不断发展的矛盾。
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And while it would be ridiculous for us to read the entire mask as the poet's own completely unfettered autobiographical fantasy, a Miltonic set of interests and a Miltonic set of anxieties charging and fueling this work.
虽然要我们读完整篇文章有点荒谬,因为诗人的自传幻想太无拘无束了，这个作品有弥尔顿式的嗜好,和弥尔顿式的焦虑控诉及刺激因素。
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The Lady in Milton's mask is placed in a similar predicament by the Shakespearean power of Comus.
弥尔顿面具里的小姐也同样处于这样的困境,在莎士比亚对Comus的影响力下。
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But at some point in the eighteenth century, the mask seemed informally to acquire an alternative title, Comus, and it's as Comus that all readers since have almost always referred to the mask -- and this, of course, is a mistake.
但在18世纪的某个时候，《面具》似乎还有一个不太正式的名，《Comus》,因为《Comus》，后来读者都将它代指《面具》了,当然这是一个错误。
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