"It is a generation that faces a situation in which the balance between responsibility and authority is broken," says Mr Imai.
Imai表示：“这代人面临责任与权力的平衡被打破的局面。”
Mr Imai warns, however, that “there are people who take advantage of the system” by claiming they are depressed “and lawyers who encourage that kind of behaviour”.
Imai则指出，“有人会钻制度空子”，自称患了抑郁症，而且还“有律师怂恿这类行为”。
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(ImaiTadashi)的《待到重逢时》(UntilWeMeetAgain, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(ImaiTadashi)的《待到重逢时》(UntilWeMeetAgain, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。
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