Example on right USES a fill light ratio of 1:2 (fill: sunlight) with an on-camera flash.
正确使用例子比1：2的填充光(填：阳光)和一个摄影闪光灯。
I always try to use warms colors for the Key Light and cold colors for the Fill Light too.
我经常尝试暖色调的主光和冷色调的补光。
Less fill light is often used for dark, "low key" style portraits with well-defined shadows.
少是常用于填充光暗，“低调”风格的肖像有清楚的阴影。
The Numbers are sometimes also reversed, but the smaller number always refers to the fill light.
这些数字都是有时也逆转，但始终是指数量较少的填充光。
The reflection is dimmer than the main light, so reflectors are most commonly used as a fill light.
反射是调光比主体的反射光线，所以是最常用作为填充光。
For example, a value of 1:4 means that the fill light is a quarter the intensity of the main light.
例如，一个价值1：4意味着是一个季度的填充光强度的主要的光。
Perhaps the easiest way to achieve this type of fill light is to use a built-in or on-camera flash.
也许最容易的方法去达到这个类型的填充光是使用一个内置或摄影闪光灯。
All scenes have some amount of fill light - regardless of whether this has been added intentionally.
所有的场景有一定的填充光——无论这个已经加入了故意。
However, a disadvantage is that reflectors often don't provide enough light (even for a fill light).
然而，一个不利因素是反射常常不提供足够的光(甚至为一个填充光)。
Light from the main source bounces off walls and other objects, which collectively ACTS as a fill light.
光从反弹的主要来源，墙壁和其它物体的集体行为作为一种填充光。
Best of all, a fill light is easy to create: either a simple on-camera flash or a reflector is often sufficient.
最重要的是，一个填充光很容易创造：不是一个简单的闪光或反射器指向通常是足够了。
Perhaps the most common lighting scenario is to use an on-camera flash as the fill light, and sunlight as the main light.
也许最常见的照明场景是使用一个摄影闪光灯作为填充光，阳光会为主要的光。
My light setup included four lights: two lights at high intensity for the rim light, one key light, and one ambient fill light.
我的灯安装在包括四个灯的边缘光高强度：两个灯，一键轻，一个环境补光。
Thus far we've focused on scenarios where natural light is the main light source, and the camera's flash is used as the fill light.
到目前为止我们已经关注情况下自然光线是主要的光源，相机的闪光灯作为填充光。
Many therefore use a fill light which strikes their subject from a direction which partially opposes the main light (" off-axis ").
许多因此使用填充光并袭击他们的专业方向部分反对主要光(“偏离”)。
On the other hand, an on-axis fill light might be too restricting, and has a higher chance of producing direct reflections off the subject.
另一方面，一个上填充光可能太的限制，有更高的几率产生直接反映了这个话题。
This tutorial therefore focuses on how to control the location and intensity of the fill light in order to produce a desired portrait appearance.
这篇教程因此着重于如何控制位置和强度的填充光为了产生令人满意的肖像的外观。
An off-axis fill light also technically isn't a true fill light, since it cannot lighten all shadows visible to the camera - just those from its direction.
一个离轴填充光也不是一个真正专门填充光，因为它不能减轻所有阴影可见的相机——只是那些从它的方向。
That way, any shadows cast by the fill light won't be visible from the camera's perspective, so it won't matter if these appear hard (due to a small source).
这样，任何以填充光投射出的阴影不可以从相机的视角，所以它不会事如果这些出现硬(由于一个小来源)。
However, off-axis fill has its own disadvantages, with perhaps the worst being that one now has to worry about the appearance of shadows from the fill light.
然而，离轴填充有其不足之处，也许最坏的就是一个现在要担心的样子填充光暗处。
Similarly, more fill light might be necessary to render a brighter "high key" style, or just to provide a softer appearance (such as with a photograph of a baby).
同样，更多的可能是必要的填充光渲染一个更美好的“高的关键”的风格，或仅仅是为了提供一个软的外观(如有一个婴儿的照片)。
Mirrored walls, skylights and large plated windows overlooking the garden and terrace fill this modern space with light.
镜墙、天窗和大型的金属镀窗俯瞰花园和阳台，让这个现代空间充满光线。
让你自己充满阳光。
Fill flash is when you are outdoors for example and the light you are getting from the sun is the main light. Fill flash is just that.
现在来谈谈闪光灯补光，补光是指当你在户外，阳光是主要光源时，闪光灯用来照亮阳光给人物带来的阴影等影响(如兔眼等)。
You can even Angle your flash up and behind you to fill a small to normal-size room up with beautiful light. Spin it around and up at about 45 degrees to hit the wall and ceiling behind you.
你还可以使闪光灯角度向上或向你身后，将闪光灯旋转45度朝向墙壁和天花板打光，让美丽的光线充满整间房子。
These 'trees' provide seating, shade and acoustic absorption and at night they serve as an illuminate bodies which fill the room with white or blue glowing light.
这些“树”形的家具可以坐、可以遮阴、可以吸声，夜晚还可以做为发光体透出白色或者蓝色的光。
This time the flash fires just the right amount of light to "fill-in" the subject with the flash produced light. Now you have a rather nice shot where you can see the subject and the background.
然后你再次拍下照片，闪光灯发出刚够照亮拍摄主体的闪光，这一次的照片要好多了，你可以同时看清主体和背景。
This time the flash fires just the right amount of light to "fill-in" the subject with the flash produced light. Now you have a rather nice shot where you can see the subject and the background.
然后你再次拍下照片，闪光灯发出刚够照亮拍摄主体的闪光，这一次的照片要好多了，你可以同时看清主体和背景。
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