Culture, Symbol, Semantics and Reception -review of Nattiez 's Music and Discourse, Toward a Semiology of Music.
文化。符号。语义。认知——纳蒂埃《音乐与话语，关于音乐符号学》述评。
It consists of three chapters: chapter One 'Acceptance and reappearance of drama discourse' explains the importance of translator's strategy and readers' reception according to the style of drama.
全文共分为三章：第一章“戏剧话语的接受与再现”从戏剧文体的特色出发说明戏剧翻译中译者决策的采用与读者接受因素的重要。
This thesis, grounding on the power discourse theory and the aesthetic reception, probes into the common core pointed to by the two theories, namely the translator's subjectivity.
本篇论文以接受美学和权力话语理论为基础，探讨二理论指向的共核，即译者主体性；
This thesis, grounding on the power discourse theory and the aesthetic reception, probes into the common core pointed to by the two theories, namely the translator's subjectivity.
本篇论文以接受美学和权力话语理论为基础，探讨二理论指向的共核，即译者主体性；
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