The entrance poetry is an important component of the Yuan Poetic Drama.
上场诗是元杂剧重要的戏剧要件。
The characterization of the Three Kingdoms plays in the Yuan poetic drama represents the particular cultural psychology of the Yuan scholars and the aesthetic ideal of dramatic characterization.
元杂剧三国戏的人物形象塑造中寄寓着元代士人的独特文化心理与人物美学理想。
The yuan Dynastys poetic drama "Qian-nu s Soul Fleeing with Her Lover" and the Ming legend "Peony Pavilion" have many points in common.
元杂剧《倩女离魂》和明传奇《牡丹亭》，有许多相同的地方，最突出的是借灵魂意象来实现女主人公对礼教的叛逆和对爱情的追求。
But there left in many aspects of the Yuan-opera spoken parts are obvious marks of processing and creation by artists of four-set poetic drama.
但元剧宾白在许多方面都明显留下了杂剧艺人加工、创造的痕迹。
There were only a few records on Zhuyeqing liquor in Yuan Dynasty (only appeared in poetic drama).
元代关于竹叶青的记载不多，仅出现在杂剧中。
There were only a few records on Zhuyeqing liquor in Yuan Dynasty (only appeared in poetic drama).
元代关于竹叶青的记载不多，仅出现在杂剧中。
应用推荐