Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式,成为中国话剧初创时期的主导艺术特色。
Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式,成为中国话剧初创时期的主导艺术特色。
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