Takashi Murakami is not just bent on the pursuit of commercial artist, he just does not exclude the market.
村上隆并非一心只追求商业化的艺术家，他只是不排斥市场。
Like Andy Warhol, Takashi Murakami takes low culture and repackages it, and sells it to the highest bidder in the "high-art" market.
像安迪·沃霍尔一样，村上隆同样采用了重新包装低俗文化并将其以高价推向“高端艺术”市场。
Takashi Murakami, however, on social issues, especially for the many phenomena of Japanese society are critical to maintain the position.
然而村上隆对社会议题，特别是对日本社会的诸多现象都是保持批判立场的。
They tend to point to the colourful Pop aesthetics of artists such as Jeff Koons and Takashi Murakami and the rigorous seriality of Damien Hirst.
他们倾向于关注如杰夫•昆斯、村上隆色彩缤纷的波普美学和达米安•赫斯特严苛的连续性。
They tend to point to the colourful Pop aesthetics of artists such as Jeff Koons and Takashi Murakami and the rigorous seriality of Damien Hirst.
他们倾向于关注如杰夫•昆斯、村上隆色彩缤纷的波普美学和达米安•赫斯特严苛的连续性。
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