Like Bubber Miley, Nanton extensively used rough-edged, slurred and vocalised sounds, which wrenched the music away from the traditionally "sweet" sounds of a conventional dance band.
南顿和巴伯·米雷一样，在表演中广泛采用模糊手法，模拟人声，渐渐地令音乐脱离了传统伴舞乐队的那种“甜美”声线。
Like Bubber Miley, Nanton extensively used rough-edged, slurred and vocalised sounds, which wrenched the music away from the traditionally "sweet" sounds of a conventional dance band.
南顿和巴伯·米雷一样，在表演中广泛采用模糊手法，模拟人声，渐渐地令音乐脱离了传统伴舞乐队的那种“甜美”声线。
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