我读过萨特和苏格拉底。
Existentialism, and the French, Camus, Sartre and so on. We have read a lot.
存在主义的哲学家，法国的加缪和萨特，等等，我们读了很多。
Jean Paul Sartre and Simone DE Beauvoir are two important writers of the existentialism literature.
让一保罗·萨特和西蒙娜·德·波伏瓦是存在主义文学的两位重要作家。
I had taken an interest in Levi-Strauss and especially in Sartre and his idea of interpenetration between two egos.
我的兴趣在列维斯·特劳斯，尤其是在萨特和他的想法，两国之间互自负。
Certainly, we have also noticed the change of the free view in Sartre and its embodiment in the artistic works too.
当然，我们也注意到了萨特自由观的变化以及在文艺作品中的体现。
I found out she had a penchant for French literature, and, in fact, could toss around the works of Sartre and Camus and Baudelaire with astonishing ease.
我发现她非常喜欢法国文学，事实上，她能非常容易漫不经心地谈论萨特、加缪和波德莱尔。
Nietzsche and Sartre help us consider whether even morality itself is a worthy goal of human existence.
尼采和萨特帮助我们思虑道德本身是否是人类存在的一个有价值的目标。
Existentialist philosopher Jean-Paul Sartre emphasised the connection between freedom and responsibility.
存在主义哲学家让-保罗·萨特强调自由与责任的关系。
A floor below, he's built a museum for busts and paintings of his favorite world figures: Voltaire, Brutus, moliere, Michelangelo, Gandhi, Pericles, Sartre.
下面一层，他建了一个博物馆，陈列他最喜爱的世界名人的半身像和绘画作品：伏尔泰、布鲁特斯、莫里哀、米开朗琪罗、甘地、伯利克里、萨特。
Sartre is still recorded as the winner by the Nobel federation for his influential work which was "filled with the spirit of freedom and the quest for truth".
在1964年宣布他为诺贝尔文学奖得主时，他拒绝了，但他仍被诺贝尔基金会记录，并评论他那有影响力的作品“充满了自由精神和对真理的追求”。
Then Sartre picks this up and says that the futility of human race is that all men or whether all people want to be perfect, but there is only one creature, entity, who can be perfect. That's God.
萨特针对这一点说，人类的无奈之处就是所有人，都想要完美，但只有一种存在，能够达到完美，就是上帝。
He was filling up the notebooks that he would later give to me, and from time to time, from the cafe Dome, he'd spot Jean-Paul Sartre passing in the street.
他后来给我的那个笔记簿上面写的满满的，从园顶咖啡屋他偶尔会看到萨特在街上走过的身影。
Scorning chronological order, I began with Kierkegaard and Sartre, then moved quickly to Spinoza, Hume, Kafka, and Camus.
不按照年代顺序，我从克尔恺郭尔和萨特开始，然后很快看了斯宾诺莎、休谟、卡夫卡和加缪。
I've been particularly drawn to the presocratics, the stoics, Lucretius, Schopenhauer, Sartre, Camus, Heidegger, Nietzsche, Corlis Lamont, and Santayana.
我也曾特别关注过前苏格拉底派、斯多葛学派、卢克莱修、叔本华、萨特、加缪、海德格尔、尼采、考利斯拉蒙特以及桑塔亚纳。
I consider that Freud, Kafka and Sartre were right.
我认为弗洛伊德、卡夫卡和萨特是对的。
Sartre puts his phenomenological ontology on the basis of consciousness which is divided into the introspective and the pre - introspective.
萨特将现象学本体论建立在意识的基础上，并将意识区分为反思的意识和前反思的意识。
Because of the emphasis on the body, Merleau-Ponty's thoughts of being- in-the-world are different from those of Hussel , Heidergger and Sartre.
正是由于对身体性的强调，使得梅洛-庞蒂的在世存在思想与胡塞尔、海德格尔和萨特等人的思想区别开来。
The childhood gives Sartre two big and deep feelings: contingency and freedom.
童年生活给了萨特两大深切的感受：偶然性和自由。
Saul Bellow literarily expounds the existentialism philosophy propositions of Sartre in Seize the Day: forlornness, anguish, death, individual choice and humane responsibility.
贝娄在《只争朝夕》中文学性地探讨了萨特的存在主义哲学命题：孤独、绝望、痛苦、死亡、自由选择和人必须有的责任。
Sartre, an important representative of existentialism aesthetics, inherited the tradition cogito of Descarte and phenomenology of Husserl, established his theory on pre-reflective consciousness.
作为存在主义美学的代表人物，萨特继承了笛卡尔的我思传统和胡塞尔的现象学方法，把自己的理论建立在非反思意识的基础上。
And if God does not exist, as Sartre claims, our lives can have only the meaning we confer upon them.
像萨特所说，如果上帝不存在，人生就只剩下我们自己赋予的意义。
The paper discusses the relationship of thanatopsis between Heidegger and Sartre on the aspects of exterior and interior relation.
本文拟从海德格尔与萨特死亡观的表面对立和内在关联的角度探讨二者死亡观的关系问题。
Sartre was nominated for the Nobel Prize for Literature for his novels and plays. He declined on the grounds that it would make his writings too influential!
萨特因其小说与戏剧作品被提名为诺贝尔文学奖获得者，但他拒绝接受奖项，理由是获奖会使他的著作影响太大！
Furthermore, Sartre interprets the sources and internal constitution of self-deception.
进而，萨特阐释了自欺的内部结构和根源。
As his theory of literary and dramatic creation, Sartre puts forward 'the principle of intervention' and 'the principle of truth in subjective feeling'.
萨特在文艺思想和创作方法上提出“介入原则”和“主观感受真实性的原则”。
Sartre' s early concept of "freedom" can be interpreted as pure individual freedom without the consideration of the relationship between freedom and society.
萨特前期所说的自由可以说是纯粹个人的自由，看不到人的自由与社会的关系。
Sartre' s early concept of "freedom" can be interpreted as pure individual freedom without the consideration of the relationship between freedom and society.
萨特前期所说的自由可以说是纯粹个人的自由，看不到人的自由与社会的关系。
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