The answer – in part – seems to be that the patterns of pitches in major keys mirror those of excited speech, whereas minor keys parallel subdued speech.
此问题的答案在某种程度上似乎在于由大音阶定调的音乐模式反映了那些能使人振奋的语言，然而小音阶的音调却与受压抑的语言相类似。
The answer – in part – seems to be that the patterns of pitches in major keys mirror those of excited speech, whereas minor keys parallel subdued speech.
此问题的答案在某种程度上似乎在于由大音阶定调的音乐模式反映了那些能使人振奋的语言，然而小音阶的音调却与受压抑的语言相类似。
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