He surprised me with his intimate knowledge of Kierkegaard and Schopenhauer.
他对克尔恺郭尔和叔本华的深刻了解令我感到惊奇。
Kierkegaard is regarded as the first existentialist.
克尔凯郭尔被看作是第一个存在主义者。
Kierkegaard theme of ideology is become a real human.
克尔凯郭尔的思想主题是如何成为一个真正的人。
Here again Kafka's thought runs parallel to Kierkegaard.
卡夫卡的思想于是再次与克尔凯郭尔的交汇到了一起。
Kierkegaard: in fear and trembling I leap into the shit.
齐克果：在恐惧与发抖中我跃进这个大便。
However, Hegel exerts a subtle influence on the thought of Kierkegaard.
然而，克尔凯郭尔的思想又受到黑格尔潜移默化的影响。
In a certain sense (let us think of Kierkegaard), it makes people cherish it.
从某种程度上说(我们可以想想克尔凯郭尔)，它使得人们把这疾痛视为珍宝。
Soren Kierkegaard, the Great Leap of Faith, the nineteenth century philosopher.
索伦克尔凯戈尔《信仰的飞越》，19世纪的哲学家。
Yet you may feel that Kierkegaard has left us with more questions than answers.
然而，你可能会觉得克尔凯郭尔给我们留下的问题多于答案。
Kierkegaard held that the individual had lost oneself in this value orientation.
齐克果认为，在这种价值取向中，人迷失了自我。
In this part Kierkegaard discusses the merits of a social and morally proper life.
在这部分论述克尔凯郭尔的是非曲直社会上和道义上正确的生活。
Life can only be understood backwards, but it must be lived forwards. Kierkegaard.
只有向后才能理解生活；但要生活好，则必须向前看。克尔凯郭尔。
Life can only be understood backwards, but it must be lived forward. — Kierkegaard.
只有向后才能理解生活，但要生活好，则必需向。
According to the philosopher Kierkegaard, admiration for someone is like admitting defeat.
据哲学家克尔凯郭尔称，崇拜某人就像承认失败。
The tyrant dies and his rule ends, the martyr dies and his rule begins. (Kierkegaard).
暴君死了，他的统治就结束了；烈士死了，他的统治刚开始。(克尔凯郭尔)。
Thee tyrant dies and his rule ends, the martyr dies and his rule begins. (Kierkegaard).
暴君死了，他的统治就结束了；烈士死了，他的统治刚开始。(克尔凯郭尔)。
As Kierkegaard proposed, faith began with the "fear and trembling" that disciplined one's youth.
正如祁克果所设想，信仰的来源，是笼罩青年时期的恐惧和颤栗。
Kierkegaard painfully pointed out that "If we had any belief in this age, it would be as any other times."
克尔凯郭尔痛惜地指出：“我们的这个时代若是有信仰，它就应当像其它一切时代一样可爱”。
Soren Kierkegaard believed this play was a more accurate representation of Socrates than those of his students.
克尔凯郭尔认为这部剧本比苏格拉底的学生们的剧本更能准确描述苏格拉底。
Scorning chronological order, I began with Kierkegaard and Sartre, then moved quickly to Spinoza, Hume, Kafka, and Camus.
不按照年代顺序，我从克尔恺郭尔和萨特开始，然后很快看了斯宾诺莎、休谟、卡夫卡和加缪。
Feng Zhi also claimed that he had been influenced by Rilke and Kierkegaard during his creation of the Collection of Sonnets.
冯至本人也曾声称自己在创作《十四行集》时接受过里尔克、克尔凯郭尔等人的影响。
TR: In The Design and Evolution of C++, you claim that Kierkegaard was an influence on your conception of the language. Is this a joke?
TR：在《C++语言的设计和演化》（TheDesign and Evolutionof C++）中，你说Kierkegaard对你设计语言概念有影响，是一个玩笑吗？
The main theoretical ideas of Danish philosopher Soren Kierkegaard and Swiss theologian Karl Barth for the thesis are also presented in this part.
在本部分也陈述了论文的理论基础，其中主要简述了丹麦基督教存在主义者克尔恺郭尔和瑞士神学家巴特的一些思想。
The thesis cites the philosophy of Kierkegaard, Nietzsche and Wittgenstein to analyze the relationship between Schopenhauer and modern western philosophy.
本文以克尔凯郭尔、尼采和维特根斯坦为例，探讨了叔本华与西方现代哲学的关系。
And Soren Kierkegaard, Nietzsche's description compared to Wang Guowei's exposition is a typical Chinese style is poetic cohesion, is absorbed in the spirit.
与齐克果、尼采的描述相比，王国维的论述是典型的中国式的，是诗意的凝聚，是精神的贯注。
The philosopher Soren Kierkegaard wrote that such anomalies produced a profound "sensation of the absurd," and he wasn't the only one who took them seriously.
存在主义哲学家齐克果写道：这种异常会导致一种难以忘却的“荒唐感”。齐克果并非是认真对待这类现象的唯一者。
But it's not enough to simply pay attention to everything - such a deluge of sensation can quickly get confusing. Kierkegaard referred to this mental state as "drowning in possibility".
不过，仅仅眼观六路是不够的——你会迷失在泛滥的感官信息中。Kierkegaard把这种状态成为“淹没在无限可能中”。
But it's not enough to simply pay attention to everything - such a deluge of sensation can quickly get confusing. Kierkegaard referred to this mental state as "drowning in possibility".
不过，仅仅眼观六路是不够的——你会迷失在泛滥的感官信息中。Kierkegaard把这种状态成为“淹没在无限可能中”。
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