In short order, they made European clothes for him, even finding him awide-awake hat.
他们没花多少时间就给他找来了欧洲式样的衣服，甚至还有一顶阔边呢帽（就是常见的那种圆筒形有圆边的帽子，译注）。
European washing machines, Jobs discovered, used less detergent and less water than their American counterparts, and were easier on the clothes.
乔布斯发现，欧洲产的洗衣机和美国产的同类产品相比，用的洗涤剂和水更少，而且对衣服更柔和。
The problem dates back to the 1980s, when football fans travelling to European cities for matches took a liking to the snazzy clothes sported by the locals.
这个问题可以追溯到20世纪80年代，当球迷前往欧洲城市看比赛，穿着的时髦的衣服向当地人炫耀。
Italian Renaissance artists tried to ignore winter.In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Rather than buying their clothes from predictable European fashion houses, they trawl the world for exotic designs from Brazilian favelas or South African townships.
人们不再从发布欧洲新款的店家购买服饰，而宁愿放眼全球去搜寻颇具异国风情的设计，比如来自巴西贫民窟和南非小镇上的风情。
In addition, stitched clothes such as salwar Kameez for women and kurta-pyjama and European-style trousers and shirts for men, are also popular.
除此之外，有缝服装，如妇女穿着的旁蔗普服和无领长袖服装以及男人穿的欧洲风格的长裤和衬衣，也很流行。
Walls are also adorned with large paintings of either people dressed in old European style clothes, or old style writing, with very big and thick wooden frames that match the color of the floors.
墙上挂着一个个穿着中世纪欧洲风格服装的人物油画，附着陈旧风格的笔迹，油画又大又厚的木制框架与地板的颜色很匹配。
In addition, stitched clothes such as salwar Kameez for women and kurta - pyjama and European-style trousers and shirts for men, are also popular.
除此之外，有缝服装，如妇女穿着的旁蔗普服和无领长袖服装以及男人穿的欧洲风格的长裤和衬衣，也很流行。
Italian Renaissance artists tried to ignore winter. In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Italian Renaissance artists tried to ignore winter. In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
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