• Concerto for Flute and Piano, Op.

    长笛协奏曲钢琴奏鸣曲,作品。

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  • Concerto for Clarinet and Orchestra in a Major, K. 622: Adagio.

    大调单簧管管弦乐队协奏曲,K。622:柔板

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  • Concerto for Recorder, Oboe, Violin and Bassoon in G minor, RV 105.

    小调笛,双簧管小提琴大管协奏曲,RV 105。

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  • Concerto for Recorder, Oboe, Violin and Bassoon in G major, RV 101.

    大调直笛双簧管小提琴大管协奏曲,RV 101。

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  • Double Concerto for Violin and Cello in a minor, Op. 102: II. Andante.

    小调小提琴大提琴双重协奏曲,作品102,第二乐章。行板。

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  • R. Strauss: Concerto for Horn and Orchestra No. 1 in E-flat major, Op. 11.

    查·史特·劳斯:降e大调第一法国号协奏曲,作品11。

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  • Concerto for Cor anglais and string orchestra (Laumer, Simon Benjamin). English horn, strings. Baroque.

    英语角协奏曲弦乐团(Laumer,西蒙·本杰明)。英语角,字符串巴洛克

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  • Now you can now download the world's best recording of your favourite Mozart concerto for about a dollar.

    现在可以美金下载最喜欢莫扎特交响乐,想什么时候听都可以。

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  • Antonio Vivaldi: Concerto for Viola d'amore, Lute, Strings and Continuo in D minor, RV. 540 (Arr. for guitar Malpiero)

    维瓦尔第D小调抒情奥尔、鲁特琴弦乐二重协奏曲RV.540。

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  • Paper Quartet, an installation based on Paper Concerto for Paper Percussion and Orchestra (2003) will be on display in the East Gallery.

    画廊展示一件基于(2003年)》创作的装置作品《纸乐四重奏》。

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  • Harold in Italy was originally meant as a viola concerto for Paganini, but Paganini decided the viola part was not important or brilliant enough and never played it.

    罗德意大利原来格尼尼而作的一部中提琴协奏曲帕格尼尼认为其中提琴部分重要不够精彩,因而始终没有演奏过

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  • In 2005 I had the honor of being commissioned by the publisher of Acoustic guitar Magazine to compose a concerto for steel-string guitar, string quartet and string orchestra.

    2005年,受邀为原声吉他杂志(Acoustic Guitar Magazine)发行人创作一部钢弦吉他的协奏曲,弦乐四重奏和交响乐。

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  • We suggest this starter kit: Bach's six unaccompanied cello suites; Beethoven's Concerto for Violin in d; Brahms's Violin Concerto in d, op. 77; and Mozart's symphonies 35 through 41.

    我们建议开始试用此法的音乐套装巴赫的《无伴奏大提琴组曲》6首;贝多芬d大调小提琴协奏曲;勃拉姆斯d大调小提琴协奏曲,作品77号;以及莫扎特第35 ~ 41号交响曲

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  • One of the primary reasons we can be sure is that we have the score Tchaikovsky used for the piano concerto for his last public performance, which he was conducting nine days before he died.

    我们可以确定主要原因之一,我们柴可夫斯基最后一次公开演出时(去世9指挥了这次演出)演奏钢琴协奏曲所用的谱子。

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  • Reduction of violin Concerto no. 1, for violin and piano.

    小提琴钢琴作的第1小提琴协奏曲缩编谱。

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  • Reduction of piano Concerto no. 2, for two pianos.

    钢琴而作第2钢琴协奏曲缩编谱。

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  • Piano Concerto No. 1, for piano, trumpet & strings, inc minor.

    c小调钢琴小号与管弦乐队而作的第1协奏曲。

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  • Schuman was known for his piano concerto.

    舒曼钢琴协奏曲而著名

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  • The topics to Beethoven's "d Major Violin Concerto" for a specific study.

    课题贝多芬D大调小提琴协奏曲具体研究对象。

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  • Upon its birth, this concerto received wide international as well as national attention for its strong nationalism, sharp program and unique musical presentation.

    作品有强烈民族性鲜明的标题性,创作手法独特这些使国内外产生了广泛的影响。

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  • The concerto is a composition for one or more soloists and orchestra.

    协奏曲一个多个领奏者管弦乐队合作的作品。

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  • The new phone-in formula for Radio 2's request programme "Your Concerto choice" has been widely criticized.

    台的“喜欢协奏曲节目开通的热线电话形式受到了广泛批评

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  • On August 8th she chose Edvard Grieg's concerto in A minor for her Proms debut at London's Royal Albert Hall.

    今年的8月8日,奥特选择了爱德华-格里格的A小调协奏曲拉开伦敦皇家埃尔伯特音乐厅夏季钢琴音乐会的序幕。

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  • Researching this concerto, we can get a good understanding of Edvard Grieg's general natures in composition, which is greatly important for us to grasp his works' style.

    通过研究里格这部协奏曲可以了解里格创作一般特点,对于全面掌握格里格的作品风格有着极其重要的意义。

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  • Haydn is not primarily know for his concertos, yet beacons such as the 'Trumpet concerto' and the 'd major Cello concerto' remain justly and universally popular.

    海顿协奏曲当时并不被认可,但是喇叭协奏曲D大提琴协奏曲还是得到普遍流行

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  • One piece was the harpsichord part for the Concerto in G and the other was the Prelude in G major.

    作品G大调协奏曲拨弦古钢琴部分一件作品则G大调的前奏曲

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  • It is this which makes it difficult for non-Russian orchestras to pick up Shostakovich's symphonies in the same way they pick up Tchaikovsky's Violin Concerto.

    如此,非俄罗斯籍乐队按演奏柴可夫斯基小提琴协奏曲一样,演奏肖斯塔科维奇交响乐时就开始出现困难

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  • It is this which makes it difficult for non-Russian orchestras to pick up Shostakovich's symphonies in the same way they pick up Tchaikovsky's Violin Concerto.

    如此,非俄罗斯籍乐队按演奏柴可夫斯基小提琴协奏曲一样,演奏肖斯塔科维奇交响乐时就开始出现困难

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