The first chapter describes some characteristics of the Romantic period music and ethnic music in the historical environment and the overall innovation Chopin Style characteristics.
第一章介绍一下在浪漫主义时期音乐的特征以及民族主义音乐形成的历史环境和肖邦总体创作风格特征。
From the outset, Chopin incorporated the singing or cantabile style into almost all of his piano compositions.
而从一开始，肖邦便将歌唱唱或者说歌唱般的流畅风格融入到他几乎所有的钢琴作品之中。
Chopin Romantic era is the most original artists of his style will not be confused with other people.
肖邦是浪漫主义时代最有独创性的艺术家之一，他的风格绝不会与其他人相混淆。
From the outset, Chopin incorporated the singing or cantabile style into almost all of his piano compositions.
而从一开始，肖邦便将歌唱或者说歌唱般的流畅风格融入到他几乎所有的钢琴作品之中。
To further understand Chopin and other piano works, we can study his creation features and creation style.
研究其创作特点和创作风格的基本特征，对于我们进一步认识肖邦及其它钢琴作品有着现实的意义和作用。
In the romantic period as an outstanding, Chopin ethnic music composer and polish style with a unique history.
在浪漫主义时期，肖邦作为一个杰出的波兰民族音乐风格作曲家而拥有非常独特的历史地位。
Regardless of is studies the piano work the music style, or the research piano work performance skill; all cannot neglect Chopin " 24 first pianos prelude " .
无论是研究钢琴作品的音乐风格，还是研究钢琴作品的演奏技巧，都不能忽略肖邦《二十四首钢琴前奏曲》。
Although Chopin works in all has the traditional style of music from Poland, but in the card of Chopin fathers more the polish national style.
尽管在所有的肖邦作品中都具有来自波兰传统的音乐风格，但在肖邦的玛祖卡中更为集中地表现了波兰的民族风格。
In this article, I trace back the history of nocturn and make analysis to his OP. 9, then discuss how Chopin succefully inherited from tradition while carrying forward this style at the same time.
本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。
In this article, I trace back the history of nocturn and make analysis to his OP. 9, then discuss how Chopin succefully inherited from tradition while carrying forward this style at the same time.
本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。
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