The Exhibition of Chinese Oil Painting Association, Beijing.
“中国油画学会油画大展”（中国美术馆）。
Annual Exhibition of Chinese Oil Painting, Silver Award, China Oil Painting Society;
93中国油画年展》银奖获奖作品《红色的领巾》中国油画学会；
My research is "early European Renaissance art and contemporary Chinese oil painting research."
我的研究方向是“欧洲早期文艺复兴美术与中国当代油画研究。”
Selected works of Chinese art in 1999 hundred years. 2004 Chinese oil painting works for the "ten".
1999年作品入选中国美术百年。2004年作品入编《中国油画十家》。
"Exhibition of Academic Research on Representation of Chinese Oil Painting"Shanghai Art Museum (Shanghai, China);
“中国油画的表现性学术研究展”上海美术馆（天津美术馆）；
The nationalization of Chinese oil painting is an important phenomenon in the contemporary history of Chinese arts.
“油画民族化”是中国现代美术史中的重要现象。
His art activities and academic papers are published on professional publications like art and Chinese Oil Painting.
艺术活动及学术论文载录于《美术》、《中国油画》等专业刊物。
Xiao Hong: we were really concerned about this during that time and thought about the future of Chinese oil painting.
肖红：那段时间很看重这个，考虑中国油画怎么办。
So, the explore and reform of the Europe oil painting teaching system are valuable for Chinese oil painting education.
本文以此展开对中国和欧洲高等美术院校油画专业教育的比较研究。
Concerning on modern multiple cultures and building new cultural spirit are the lifeline of modern Chinese oil painting.
关注当代多元文化语境、建设新的文化精神是中国当代油画的生命线。
Plaster Buddha Statue on Red Bench joined in Annual Exhibition of Chinese Oil Painting in National Museum of Chinese History;
油画作品《红凳子上的石膏佛像》参加了在北京历史博物馆举办的《中国油画年展》；
All these results for push Chinese oil painting material skill legal theory theory and practice the research made the contribution.
所有这些成果对于推动中国油画材料技法理论与实践研究作出了贡献。
To this end, the Academy has selected artists of varying ages from around the country to form the Chinese Oil Painting Study Group.
为此，中国油画院面向全国选择了一批中青年艺术家，组建中国油画研究课题组。
Works were selected by China Oil Painting Society for the "Oil Painting Art and Contemporary Society—Chinese Oil Painting Exhibition";
作品入选由中国油画学会主办《艺术与当代社会中国油画展》；
From value system to artistic language, from modernity to nationality, Chinese oil painting requires continuous and deep study on multiple levels.
中国油画从价值观念到语言表现，从现代性到民族性的多个方面，不断的深化研究也显得尤为必要。
Liu Aimin, professor, oil-painter and executive director of the Institute of Chinese oil Painting, was once awarded the Nationwide Prominent Teacher.
刘爱民，教授，油画家，中国油画学会理事，曾获全国优秀教师奖等。
The author tries to use objective view to see the causes and the shortcomings of oil painting's Nationalization and also bring forward the outlook of Chinese oil painting.
笔者试图从尽量客观的视野来检视“油画民族化”的成因、弊端，并提出中国油画的出路。
Mix-media work Control Soil Loss was exhibited in "The 2nd Chinese Oil Painting Exhibition" in National Art Museum in Beijing, and was included in the Exhibition Collection.
综合材料作品《收复树的失土》参加北京中国美术馆举办的“第二届中国油画展”，作品被收录进展览画册；
With the development of the international language situation, the awareness has been a focus on Aesthetic Expression of the performance of the contemporary Chinese oil painting.
随着国际化语境的深入，中国当代油画“表现性”中的审美表现意识成为人们十分重视的问题。
His works and academic papers have been published in art publications and works collected for more than 100 items like art Observation, art Research, Chinese Oil Painting, art Guide.
作品及论文在《美术观察》、《美术研究》、《中国油画》、《美术向导》等艺术期刊杂志及作品集刊登100余件。
In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of oil painting's Nationalization in the view of practices.
第三部分着重从实践的角度来分析目前中国油画取得的成就并不完全是在“油画民族化”的概念下进行的。
Painting is a form of artistic expression, but only out of Chinese oil dependence on Western culture, traditional Chinese culture, Chinese oil Painting nutrition to form the national style.
油画是一种艺术表现形式，而中国油画只有摆脱对西方文化的依附，吸收中国传统文化的营养才能形成中国油画的民族风格。
Via the analysis for the characteristics of "Blank left" in Chinese oil painting works, this article summarizes the value and significance of "Blank left" in Chinese oil paintings at the end.
通过对中国油画作品中“留白”的意味的分析，本文在最后总结了中国油画作品中“留白”的价值与意义。
The third part brings out not only the influence of transformation of western artistic language on Chinese oil painting but also the trend of complanation in contemporary Chinese oil painting.
第三部分论述了西方绘画语言的转变对中国油画的影响，及中国当代油画平面化的发展趋势。
This paper proclaims the change of the spirit symptom and esthetics characteristic in the oil painting language through the image presentation of the practice of Chinese oil painting since 1990s.
本文主要以1990年代以来中国油画实践的“图像”表征来揭示当代中国油画的精神症候和美学特征在油画语言中所呈现的变化。
When did you think that using oil painting express Chinese painting?
您是从什么时候想到用油画来表现中国画的呢？
The joint exhibition of Chinese painting and oil painting reveals different aesthetic appeals of different countries and nations, who meanwhile share the same spiritual pursuit.
中国画与油画联展，它体现不同国家不同民族不同的审美诉求，但其精神追求是一致的。
The joint exhibition of Chinese painting and oil painting reveals different aesthetic appeals of different countries and nations, who meanwhile share the same spiritual pursuit.
中国画与油画联展，它体现不同国家不同民族不同的审美诉求，但其精神追求是一致的。
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