Calligraphy theory in Han Dynasty and Tang Dynasty, on the basis of formal imagery of strokes, formed abundant aesthetic imagery and connotation.
汉唐书论在点画形式“意向”的基础上形成了丰富的美学意象和意蕴。
He not only sedulously seeks innovation in the calligraphic skill, but also has done much beneficial work in the calligraphy theory and the calligraphy education.
他不仅在书艺上刻意求新，而且在书法理论、书法教育等方面做了许多有益的工作。
But Shen Zengzhi looked the other way and created one calligraphy style of combination of Stele Theory and Model calligraphy.
然而沈曾植却另辟蹊径，创出一种碑帖结合的书法风格。
His aesthetics ideology in calligraphy enlightens and influences the following aesthetics theory of calligraphy and their creative practice in calligraphy.
他的书法美学思想启迪和影响了之后的书法美学理论和书法创作实践。
Their calligraphy and painting esthetics ideas, particularly the theory methods of study, influence and inspire the scholars in this field that time and afterwards.
他们的书画美学思想尤其书画理论研究的方法对于当时及后来的中国书画理论研究者有着重大的影响和启示作用。
Research has discovered, Zhang Huaiguan's philology theory in the book comment on has all produced comparatively far-reaching effect on future generations' books of philology and study of calligraphy.
研究还发现，张怀瓘书论中的文字学理论对后世的文字学与书法学等著作都产生了较为深远的影响。
Since the theory of pen and chalk calligraphy is poor, it is essential to interpret the technique of pen and chalk calligraphy.
而钢笔和粉笔技法则理论薄弱，在用笔技法上的阐述难得一见，因此很有释疑解难的必要。
Finally this paper concludes the theoretical achievements and the aesthetic perspectives of the three schools, and re-judges their significance in the calligraphy and painting theory history.
文章的最后归纳了三家的理论成就、审美观念并重新审视了三家在书画理论史上的意义。
There is no systematic discussion on the social function of calligraphy by previous scholars, and the contemporary scholars have made primary research on it without convincible theory.
关于书法的社会功能，前人没有系统论述。当代学者对此略有提及却又莫宗一是。
As a school of calligraphy born in the 1990s, the Academic school of calligraphy has become a comparatively integrated system including theory, artistic creation and educational activities.
学院派作为二十世纪九十年代产生的一个书法流派，已经形成了一个包括理论、创作与教育在内的相对完整的书法循环链。
He is a great master on design, production and theory research of calligraphy, seal cutting and shell carving handicraft.
擅长书画篆刻与贝雕工艺品创作设计、制作研究和理论探讨。
Interested in Chinese calligraphy since his childhood, he has been studying the theory as well as the art of calligraphy for many years. This results in his original understanding on it.
自幼喜爱书法，长期以来坚持研修书法理论，学习书法艺术，有其独到见解。
The phenomenon of mutual communication between poetics and calligraphy is worthy of research in Chinese ancient literary theory.
诗学与书学的互通，是中国古代文论中一种值得注意和研究的现象。
Wang's theory of Chinese calligraphy critique is historically valuable to enrich our approaches to the contemporary Chinese calligraphy theoretically and practically.
王世贞的书法观具有重要的历史价值，对当代书坛尤多启迪。
Since the 1900s, Stele Theory has becoming the main trend of the calligraphy field, Model Calligraphy has been marginalized, and they were received little attention by the calligraphers.
进入二十世纪，碑学成为书坛的主流，传统帖学开始走向边缘化，很少受到书家的关注。
Chapter 3 emphatically explains the relation between calligraphy-theory and literature-theory of Wang Shizhen.
第三章着重阐述王世贞的书论与其文论的关系。
Chapter 3 emphatically explains the relation between calligraphy-theory and literature-theory of Wang Shizhen.
第三章着重阐述王世贞的书论与其文论的关系。
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