黄齐耀被非正式晋升为灵感草图艺术家。
Wong was unofficially promoted to inspirational sketch artist.
1920年，为寻求更好的经济前景，黄齐耀随父前往美国，留下他的母亲和姊妹在家乡。
In 1920, seeking better economic prospects, Gen Yeo and his father embarked for the United States, leaving his mother and sister behind.
作为专业出身的画家，黄齐耀是两次世界大战之间在加利福尼亚兴盛的现代主义运动的一位领军人物。
Trained as a painter, Wong was a leading figure in the modernist movement that flourished in California between the wars.
在《小鹿斑比》中，黄齐耀的名字出现在演职人员字幕相当靠后的位置，仅仅作为“背景”艺术家出现。
On "Bambi," Wong's name appears, quite far down in the credits, as a mere "background" artist.
1942年，黄齐耀加入华纳兄弟公司，在那里工作，有时也被借给其他制片公司，直到1968年退休。
Wong joined Warner Bros. in 1942, working there — and lent out on occasion to other studios — until his retirement in 1968.
迪士尼博物馆介绍称，电影工作室正在筹备小鹿斑比的前期阶段，黄齐耀跑回家绘出多幅小鹿在森林中奔跑的画面。
When the film studio began pre-production on Bambi, "he went home and painted several pictures of a deer in a forest", the Disney museum said.
新婚的黄齐耀需要稳定的工作，1938年他作为“中间画师”加入迪士尼，创作了成千上万张的中间图纸，为动画系列镜头带来生命。
Wong, newly married and needing steady work, joined Disney in 1938 as an "in-betweener, " creating the thousands of intermediate drawings that bring animated sequences to life.
新婚的黄齐耀需要稳定的工作，1938年他作为“中间画师”加入迪士尼，创作了成千上万张的中间图纸，为动画系列镜头带来生命。
Wong, newly married and needing steady work, joined Disney in 1938 as an "in-betweener, " creating the thousands of intermediate drawings that bring animated sequences to life.
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