这是黄庭坚区别于其他诗人的艺术特征。
All of these artistic characteristics distinguishes him from his contemporary poets.
如苏轼题画诗中的“形神论”与黄庭坚题画诗提倡的“韵”说，都对宋代的绘画、鉴赏理论产生深远影响；
For instance, Su Shi's"theory of contour and spirit"and Huang Tingjian's idea of"Yun"have affected the theory of painting very much in the Song Dynasty;
苏轼门人对于《庄子》的直接阐述并不多，但诸如黄庭坚的《庄子内篇论》，晁补之的《齐物论》等文章具有很高的学术价值。
Although the direct expatiations by su scholars group on Chuang-tzu were few, some articles such as Chuang-tzu Nei Pian Lun by huang Tingjian and Qi Wu Lun by Chao Buzhi were of great learned value.
江西诗派后学张“一祖三宗”之说，虽然远绍杜甫，但黄庭坚才是江西诗派的实际开创者，他正是通过学杜形成自己独特的诗歌风貌的。
Jiangxi Poem School held the saying "one originator, three models", though they followed Du Fu, yet Huang Tingjian was the real pioneer of Jiangxi Poem School.
黄庭坚是宋代著名的文学家与书法家，也是著名的书画艺术鉴赏家，他的画论在北宋的艺术理论中非常重要，也与其艺术创作有不可分割的关系。
As a famous litterateur, a calligraphistas well as a connoisseur in painting and calligraphy, Huang Tingjian occupied an important position in the literature and art of the Northern Song Dynasty.
黄庭坚是宋代著名的文学家与书法家，也是著名的书画艺术鉴赏家，他的画论在北宋的艺术理论中非常重要，也与其艺术创作有不可分割的关系。
As a famous litterateur, a calligraphistas well as a connoisseur in painting and calligraphy, Huang Tingjian occupied an important position in the literature and art of the Northern Song Dynasty.
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