陶塑艺术也于盛唐达到了它的艺术顶峰。
黄河下游的陶塑中最有代表性的是陶形规。
The most representative of the pottery sculptures in the lower reaches of the Yellow River are pottery guis.
在黄河中游早期的遗址中也有类似的动物陶塑发现。
Similar small animal pottery sculptures have also been found among relics along the Yellow River.
这样一件体量并不算大的陶塑，竟产生出非凡的气魄和雄强的力量感。
It is amazing that such a small piece of pottery can convey so much vigor and boldness.
墓室内棺木尸骨全无，出土随葬品有陶瓷日用器皿及陶塑品等32件。
In the Chambers, there are no bones in the coffin but 32 pieces or sets of funerary objects unearthed which are made of pottery vessels and ceramics.
在原始社会末期，居住在黄河和长江流域的原始人，已经开始制作泥塑和陶塑了。
Ancient Chinese people living along the Yellow and Yangtze rivers began to make pottery and clay figures towards the end of the Primitive Society .
再后面是一名牵着战马的骑兵。四匹陶塑战马拉着一辆木制战车，车上站着陶塑御者。
A wooden chariot manned by a terracotta charioteer and pulled by four terracotta horses brings up the rear.
箱子内的陶塑作品使人马上联想到脆弱性，以此表述人们渴望亲近与保护、信任与安全。
The pottery sculptures inside the box instantly remind people of the frangibility, and thereby expressing mankind's desire for intimity, protection, trust and safety.
在希腊曾发现公元前3000年时代的小型赤陶塑像；其后一直到公元前4世纪的赤陶制品也有发现。
Small terra-cotta figures from 3000 BC have been found in Greece and others throughout the Roman Empire from the 4th century BC.
明清石湾陶艺在人物陶塑、日用器皿等方面深受中国绘画影响，取得了眸子刻划、衣纹处理两大艺术成就。
The ceramic art of Shiwan in its figurines and daily utensils during the Ming and Qing Dynasties was heavily influenced by the Chinese painting.
方案以“西关印象”为庭院的设计立意，融入具有西关大屋文化韵味的趟拢门、满洲窗。陶塑、壁画石景等。
The design is based on "the impression of Xiguan" and combined with the unique architecture in Xiguan culture, such as Tanglong Door, Manzhou Windows, ceramic scultptures and fresco paintings.
本发明公开了一种陶塑山水浮雕工艺品的制造方法，首先以黏土为原料，将黏土与适量的水混合形成坯料；
The invention discloses a method for producing sculpturing landscape relief crafts, which comprises the followings steps: mixing clay used as raw material with a proper amount of water to form blanks;
本论文以西方建筑领域中“立面”的空间概念作为艺术视角，论述中国古代陶塑所创造出的“立面”空间的开放性。
From the Angle of "Facade" of space conception developed from western building construction field, this report discussed the openness of "Facade" of space created by Chinese ancient pottery works.
本论文以西方建筑领域中“立面”的空间概念作为艺术视角，论述中国古代陶塑所创造出的“立面”空间的开放性。
From the Angle of "Facade" of space conception developed from western building construction field, this report discussed the openness of "Facade" of space created by Chinese ancient pottery works.
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