陈家刚：因为那个时候的人简单。
陈家刚：原来写的那个你看没有？
陈家刚：对对，这个也是一样。
陈家刚：这个写的比较详细。
陈家刚：对，等啊。提前等。
陈家刚：对对，也有。我这一部分都有。
陈家刚：没有，他们的老板是我的朋友。
陈家刚：那是一个洗矿池。
陈家刚：相当于我们挑战技术的一个极限。
Chen Jiagang: Something like we pushed the envelope of technology.
陈家刚：你说的意思是我把题目取长一点。
Chen Jiagang: You mean to make the title longer for my works.
陈家刚：几百张吧，现在选出了六十多张。
陈家刚：对。灰的那种。
陈家刚：我是在大三线。
陈家刚：方式的不同。
陈家刚：都是废墟了。
陈家刚：背景介绍。
陈家刚：那个不是。
陈家刚：可以啊。
陈家刚：然后，后面还有。没有给你看过这个吗？
Chen Jiagang: Later, there are some more behind. Didn't I give you the book before?
陈家刚：其实我在三线里面遇到的事情非常非常多。
CJG: I actually came across a lot of interesting scenarios in the third line.
陈家刚：应该讲这个题材还可以拍下去，第一个阶段我要。
CJG: I could keep shooting this theme. I want the first phase.
陈家刚：只是说我用警察和小偷这个故事来隐喻这个问题。
Chen Jiagang: I just use the cop and thief as a metaphor to illustrate the problem.
陈家刚：第一个，因为你要去表达很忧郁的、迷幻的色彩。
CJG: First, I wanted to express melancholy and half-conscious colors.
陈家刚：这是什么网站。就是相应于我再做一个大一点的标签。
Cheng Jiagang: What is this website? It means that we make a bigger tag.
陈家刚：彩色的有六十来张，黑白的有二十多张，总共八九十张。
CJG: There are over sixty color photos, and over twenty black and whites for a total of ninety photos.
陈家刚：不是流氓老外玩了上海女孩子，而且上海女孩子还愿意。
Chen Jiagang: it was not the hooligan foreigners who played with the Shanghai girls, but these girls were willing to be played with.
陈家刚：严格的来讲，本来就是一个私人话题，现在弄成一个公众话题。
Chen Jiagang: Strictly speaking, it was a private matter, but it has become a public attention.
陈家刚：文字说明我原来写的很小短小的那个，我那个是不是叫随笔那种。
Chen Jiagang: You mean the short text I wrote, the one may be called the essay?
陈家刚：对，中国做事情就是，我觉得叶帅这次这个题目很好：始乱终弃。
CJG: Right, that's just what things are like in China. I think that Ye Shuai's choice of topic was an excellent one – "Deflower and Discard".
陈家刚：因为，换一种拍法是另外一种，我现在不拍记忆，我拍三线的今天。
Chen Jiagang: If I changed the method of shooting, there would be another genre of pictures. I don't shoot memory now, I shoot the today's existence of the third front.
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