金东囿在画布上无所不用其极，刻意调控各种绘画手法，在平面的结构里三番四次挑起活动。
The structure is deliberately articulated in modulation to instigate activity in every form that his two-dimensional canvas can provide.
金东囿在画布上无所不用其极，刻意调控各种绘画手法，在平面的结构里三番四次挑起活动。
The structure is deliberately articulated in modulation to instigate activity in every form that his two-dimensional canvas can provide.
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