赵晓生的钢琴音乐创作因其作曲家和钢琴家的双重身份而具有个性化的创作风格。
Zhao Xiaosheng 's piano music of its composer and pianist with a double identity and personality of the creation.
赵晓生的钢琴音乐创作经历了三个时期反复的理论和实践，逐步形成了个性化的创作风格。
Zhao Xiaosheng piano music creation has gone through three times repeated the theory and practice, and gradually formed a personalized creation style.
论文结构如下：第一章，以采访作曲家本人为依据，对赵晓生的生活和创作经历的进行了总结。
Thesis is structured as follows: Chapter to an interview with the composer himself as the basis, summed up the life and creative of Zhao Xiaosheng 's experience.
第二章，对三个时期具有代表性的钢琴作品进行创作背景和本体分析，概括赵晓生主要的创作轨迹。
Chapter II of the three periods of representative piano works to create the context and ontology analysis, summarized the main creative trajectory of Zhao Xiaosheng.
本论文根据对作曲家本人的实地采访和搜集到的文字、乐谱资料，对赵晓生钢琴音乐创作进行了系统的阐述。
In this paper, based on the composer's own field interviews and collected by the language, music data, the system described Zhao Xiaosheng piano music creation.
本论文根据对作曲家本人的实地采访和搜集到的文字、乐谱资料，对赵晓生钢琴音乐创作进行了系统的阐述。
In this paper, based on the composer's own field interviews and collected by the language, music data, the system described Zhao Xiaosheng piano music creation.
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