该片在蒙古拍摄，赵晓时的摄影实在是令人称奇，他不遗余力地构造了一个与张之亮《车票》中旅游向导式的画面截然不同的世界。
Shot in Mongolia, Zhao Xiaoshi's cinematography is frankly jaw-dropping, effortlessly composed, worlds away from tourist guidebooks like Jacob Cheung's Ticket.
该片在蒙古拍摄，赵晓时的摄影实在是令人称奇，他不遗余力地构造了一个与张之亮《车票》中旅游向导式的画面截然不同的世界。
Shot in Mongolia, Zhao Xiaoshi's cinematography is frankly jaw-dropping, effortlessly composed, worlds away from tourist guidebooks like Jacob Cheung's Ticket.
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