本文通过对贝多芬第三交响曲里“交响变奏中的赋格精神”的解读,感受赋格段技法的典范。
Through decoding "spirit of fugue in variation of symphony", we can see fugue nonesuch in his symphony.
他的左脚激动的踩踏;左手高高挥起到3英尺高,又垂落到键盘上开始演奏作品110号中的一段赋格[注1]。
His left foot skips and kicks with excitement; the left hand drops three feet onto a fugal entry in Opus 110.
他的左脚激动的踩踏;左手高高挥起到3英尺高,又垂落到键盘上开始演奏作品110号中的一段赋格[注1]。
His left foot skips and kicks with excitement; the left hand drops three feet onto a fugal entry in Opus 110.
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