这种强烈的感情可以在他的戏剧中感觉到,他的戏剧往往仔细雕琢语言的模棱两可、说的话与未说的话之间的紧张气氛。
This intensity can be felt in his plays, which often consider the ambiguity of language and the tension between what is said and what is left unspoken.
实际上,你说的那些模棱两可的话等于是拒绝。
实际上,你说的那些模棱两可的话等于是拒绝。
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