语言理论在很大程度上基于语言观。
A linguistic theory to a great extent is built on its view of language.
第一章概括三种文学语言观。
The first section includes three viewpoints about literary language.
这与西方语言观明显不同。
这一观点与索绪尔的语言观有着本质的区别。
This view is intrinsically distinct from Saussures linguistic view.
随着语言观的改变，语法研究又有了新的任务。
With the changing View on Language the grammar research has new task again.
三是作为诗学语言观的“自然之言”(第三章)。
因此，对胡适的语言观进行考察具有重要的意义。
Therefore, the survey of Hu Shi's outlook on language is of great significance.
海德格尔后期的语言现对前期语言观是一种跳越。
The language outlook of Heidergel's later stage has gone his earlier stage.
这说明了语言观和诗学是诗歌翻译研究的重要方面。
The philosophy of language can exert influences upon poetry translation from the comprehension perspectives of the translator and reader.
更为重要的是他的语言观体现出明显的本体论语言哲学倾向。
The Illustrious Role of the Confucian Ontology Philosophy in Pre - Qin Period;
伽达默尔的解释学的普遍性主要体现在他的理解观和语言观中。
The embodiments of the Universality of Gadamer's hermeneutics are mainly in his view of understanding and view of language.
认知语言观认为，成语是概念体系的产物，不仅仅是语言问题。
From the cognitive perspective, idioms are products of our conceptual system, not simply a matter of language.
一方面，当代西方哲学发生的语言论转向使传统语言观大受质疑。
On the one hand, the contemporary west philosophy occurs the language opinion transfers traditional language view greatly to question.
因此，在本文中会列举柏拉图之前的智者的语言观，进行对比分析。
Therefore, the language view of sage pre Plato will be enumerated in the article for the comparative analysis.
诗家语言追求“韵味”的审美传统是与佛家语言观的影响分不开的。
The aesthetic tradition of seeking "lingering charm" in poetic language cannot be separated from the influence of Buddhist linguistic perspective.
文论史上的文学语言观可归纳为三大类，即载体论、本体论和客体论。
The theories about literary language can be put into three categories: the vehicle notion, the entity notion, and the object notion.
这应当成为社会每个成员的共识，成为社会每个成员的语言观和语用观。
This should be the consensus Shared by every member of the society. Everyone should adopt this outlook on language and its usage.
以功能语言学的功能语言观为观照，探讨了不同文体类型文本的翻译标准。
This thesis, based on the functional linguistics theory, discusses the translation criterion for different types of texts.
萨丕尔是语言学界的大师，探究萨丕尔语言观是语言学研究的一个重要课题。
Sapir is a master of linguistics. The explore of Sapit's conception of language is an important topic of linguistic study.
第三部分：哲学诠释学和解构主义语言观的形成——海德格尔语言转向之影响。
The third is: the forming of linguistic point of view in philosophical hermeneutics and deconstructionism-the influence of Heidegger's linguistic turn.
目前外语教学现状的改进要求摒弃狭隘的工具主义语言观，树立全面的语言观。
The improvement of the current situation of foreign language teaching demands to abandon the narrow tool doctrine language view and establish the overall language view.
拉康源自于精神分析治疗实践的独特的语言观是后现代主义思潮的重要理论之一。
The unique view of language of Lacan is one of the most important theories of postmodernism thoughts.
日本著名语言学家时枝诚记提出的语言过程说，是一种不同于语言工具论的语言观。
Tokieda Motoki, a famous Japanese linguist, advanced a new theory that language is a process.
海德格尔后期的语言观超越了形而上学语言观，在某种意义上开启了后现代这一维度。
The language outlook of Hei- dergel's later stage has transcended metaphysic language outlook, thus in a sense starts the thought of later modern times.
从宏观的角度出发，语言研究、语言学理论的产生及其指导意义，都和语言观切切相关。
View of language is relevant to linguistic study, linguistic theory, its founding and its significance.
后现代思潮深刻地影响了后现代派作家的语言观：创造了语言的人却反过来被语言所驾驭。
Postmodern writers' language view has been deeply molded by postmodern thinking: man created language and is in turn controlled by language, which is doomed to be indeterminate.
“语言观”的维护者的核心观点是，对于大于4的数字的心理表征和操作数值，语言是必不可少的。
The key claim of defenders of the 'language thesis' is that language is necessary for mental representation and manipulation of numerosities greater than 4.
闻一多提出的新诗的音乐美、绘画美、建筑美的原则，是其诗学理论的现代语言观和形式观的具体实施。
The principle suggested by Wen Yiduo, that new verses should be beautiful with respect to music, painting, and structure, is the application of the modern concept of language and conc...
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
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