诗言志“具有显性和隐性含义。
有诗言：又如有山不宜平。
有诗言：又如有山不宜平。
中国诗歌历来走的是抒情的道路，“诗言志”一说古已有之。
Traditionally, Chinese poetry is to express the author's emotion, namely, the theory of "poem expressing ideal".
所以，出于这些理由，我们认为这句‘诗言’完全是自发的感言。
So it's for all those reasons that we think this is a completely spontaneous speech.
本文对“诗言志”的产生年代、经典化过程和途径进行了论述。
This paper focuses on the background, canonization and ways of the "poem expressing ideal."
如果你把‘一个’这个词加进去，就会完全改变了诗言的对仗性表达。
If you put the word 'a' in, it would totally alter the poetic balance of the expression, "he explained."
“诗言志”是中国诗学的第一个理论命题，对它的研究绕不开它与《尧典》的关系。
The "Ideal in Poems" was the first theoretical proposition in Chinese poetics whose study is closely related to its relation with Yao Dian(or the Chronology of Emperor Yao).
后者着眼于儒家诗学原则的定位，是站在理想层面上阐说“诗言志”——诗歌“应该如何”。
The latter focuses on the positioning of the Confucian poetic principles. It stands at the ideal level to illustrate it what poetry should be.
“不学诗 ，无以言”是孔子对《诗经》实用价值的概括 ，也是对春秋时期四百年赋诗言志的总结。
It is also the summary on the practice of airing ideas by poems during the 400 years of the Spring and Autumn Period.
不同类型玄言诗的生成反映出玄学被接受和消化的动态过程。
The production of different types reflects the dynamic process of the reception and digestion of XuanXue.
当一首诗终于在信笺上醒来，或许，你会发现那其中的每一个字迹都沁着微凉，宛如千言万语在瞬间凝噎。
When a poem finally woke up, perhaps in stationery, you'll find out that each writing Qin cool thousands and thousands of words, like in an instant choke.
鲁迅的抒情言志诗是他整个文学创作活动中的一部分，有着独特的审美价值。
Luxun's lyrical poem is a part of his whole literary creation activity, which characterizes unique aesthetic value.
诗73：24你要以你的训言引导我，以后必接我到荣耀里。
Psalms 73:24 Thou shalt guide me with thy counsel, and afterward receive me to glory.
而采用“三段式结构”进行创作，在诗中“言必称玄”，则是谢灵运山水诗受玄学影响所呈现出来的最为明显的特点。
The most striking characters influenced by Metaphysics in his poems are the "structure of three-paragraph" and "no words without the thoughts of Metaphysics".
试图对五言诗中的单字动词的位置及该动词位置下诗句的句式结构特点作一解剖，以了解五言诗在动词位置安排上体现形式的匠心与美。
The location of single-verb and the sentence features of corresponding syntax of Wuyan poem are analyzed, to understand the ingenuity of Wuyan poem, which manifests in the verb position arrangement.
审美的感性特征从玄言、山水到宫体诗，经历了削弱、滋长、张扬的过程，这对重新评价宫体诗的价值意义重大。
The perceptual aesthetic characteristic goes through a process from declination, development to spread, which have an influence on re-appraisal palace style poem.
在对玄言诗人界简要探讨的基础上，把前人的材料摆出来进行充分分析，可以看出玄言诗时代存在的可疑性。
On the basis of inquiring into the definition of Xuanyan poetry, we analyse the past raw materials, and then put forward our suspicion to the existence of "times of Xuanyan poetry".
其压模范围覆盖了周代诗乐舞诸范畴，形成了汉语四言结构的“绝对压模”时代。
Its molding influence covered poetry, music and dance during the Zhou Dynasty, a period of "absolute molding" of the four-character structure of Chinese.
佛、玄之间的交争与融合构成了东晋文化思想的基本特点，这从当日名僧与名士的玄言诗创作中亦可得到印证。
The culture of Eastern Jin features the confrontation and reconciliation of Buddhism and Xuanxue, which can be reflected in the Xuanyan poems created by the prominent monks and scholars at that time.
东晋兰亭诗有着区别于山水诗和正宗玄言诗的不同特质。
Lanting poem of the Eastern Jin Dynasty is distinct in characteristics from Mountains-and-Rivers poem and Metaphysical poem.
玄言诗对于今天的人们已经很陌生了。
Held airy philosophical discussions the poem already to be very strange regarding today's people.
文学史研究者一般都视句句韵变隔句韵为中古七言体式转型的标志，本文进一步探讨了七古在杂言诗催化之下由句句韵变为隔句韵的背景和原因。
The change from rhyming every line to every other lines generally viewed as the symbol of the style transformation of mid-ancient seven-character poems.
本文首先将学术界对魏晋玄言诗的定义作一清理与分类。
This article firstly clean up and classify for its definition in the whole academia.
上面刻下的是秦献公十一年作的十首四言诗，是我国最早的刻石文字，经过失而复得，得而复失。
Qin Xian above the public right now is eleven years for the 10 four-character poetry is the Stele of China's earliest writing, after regained, lost it.
这三个要求限制了六言诗的题材范围，使它没能流行起来。
These three requests have limited the Six-character poem's theme scope, enables it to be popular.
六言诗的音节比较单调、板滞、舒缓。
Six-character poem syllables are comparatively monotonous , stiff, leisurely.
蔡琰主要生活在建安年间，五言《悲愤诗》当作于建安十三年以后。
Cai Yan living mainly in Jian years, Cource "indignant poem" After thirteen years as in the Jian.
这首五言诗除了人们公认的在内容方面的深刻现实意义外，在表现形式方面也很有特色。
This is the first Cource of poetry in addition it is recognized that the profound in content of practical significance, as regards manifestations also very unique.
这首五言诗除了人们公认的在内容方面的深刻现实意义外，在表现形式方面也很有特色。
This is the first Cource of poetry in addition it is recognized that the profound in content of practical significance, as regards manifestations also very unique.
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