但他的抒情诗艺术将永世长存。
疯狂的爱尔兰损伤了你直至诗艺。
本论文的研究属于唐诗艺术学中的一个组成部分。
The study of this paper is part of that of artology of Tang poetry.
在这个时期诗人注重形式典雅，对诗艺精益求精。
Pays great attention to the form in this time poet to be elegant, strives for perfection to the poem skill.
童心美是闻一多诗艺特点的重要构成，是诗人人格美在诗中的体现。
Beauty of naivety, which is an important component of artistic features of Wen Yiduo's poem, is the embodiment of his perfect personality.
然而，对于汉诗外译各个环节中所关涉的行为主、客体诗艺关怀的相关研究却非常有限。
Comparatively, research into the interaction between the subject and the object tied by the translator's concerns with poetic art is yet quite limited.
被誉为诗艺最高境界的悲剧，以其独特的艺术魅力和深刻的认知价值，千百年来备受关注。
Tragedy, with its specific artistic charm and deep cognitive value, is praised as the highest from of poetical art and enjoys great concern for thousands of years.
以诗艺论，任兄雅好凝炼，不拘字义文法之桎梏，不落赘词冗句之窠臼，真知诗之三昧者。
Technically, Ren's preference to condensed, succinct phrasal utterances instead of to drawn-out, grammatically viable sentences shows how well he grasps the quintessence of poetry.
在这种背景下，聊斋诗受宋诗的影响更大，带有宋诗艺术色彩的“真”是蒲松龄的诗学思想。
Under this situation, the Liaozhai poem was affected by the Song poem's deeply, and Pu Songling's poetic thought emphasized "reality".
研究中国古代歌诗艺术生产与消费问题，对我们全面认识中国古代诗歌史具有重要理论意义。
To study its production and consumption is of great theoretical significance for us to understand overall the history of ancient Chinese poetry.
正文三、四、五部分从诗歌本体的角度，具体由抒情、写景、语言三个方面探讨储诗艺术特色。
Viewed from the aspect of poem's noumenon, Chapter Three, Four, and Five are devoted to lyric art, describing scenery art, language art of his poem.
唐诗中丰富的色彩世界，是一个有独特意义的审美新领域，也是认识唐诗艺术价值的一个重要视角。
The colorful world in the poetry of the Tang Dynasty constitutes a new and unique aesthetic field, and provides an important Angle of vision for understanding its artistic value.
对外国小说象征及理论的介绍，贯穿现代小说史30年，这一艺术源泉滋润了现代小说象征诗艺的诞生。
Foreign novel symbol and theory is introduced and run through modern novel story for 30 years, which brings about the birth of symbol poetry art of modern novel.
论文第三部分从传统诗艺的创造性继承、意境营造与抒情性三个方面阐述了新古典主义诗歌的艺术形态。
In third part of the creative arts from the traditional poetic succession, creating mood and emotion of the three aspects of the new art form of classical poetry.
汉魏诗派对陶诗艺术成就的评价并不统一，出现了扬陶和抑陶的分化，这种分化是由其诗学观念的差异造成的。
Their evaluation of Yuanming poetry is not uniform, there has been praising and criticism of the division, which is different from their poetic outlooks.
新古典主义诗歌的创作者们从古典诗艺中为现代诗汲取养分，具体体现在诗歌的形式、节奏韵律、技法等方面。
Neo-classical poetry creators of classical poetry from the Arts draw nutrients for modern poetry, embodied in the form of poetry, rhythm, technique and so on.
因此，在中西诗艺相通的基础上，海外华文诗歌表现了向中国诗学传统回归且与西方现代诗学精华融合贯通的趋势。
Thus, overseas Chinese poetry manifests a tendency of recurrence to traditional Chinese poesy on the one hand and of mergence with the gist of modern Western poesy on the other hand.
在对诗的本质、诗歌本体构成质素及新诗艺术形式美的探讨上，深受西方十九世纪浪漫主义和唯美主义等现代文艺思想的影响。
Discussing the essence, the composing element and the beauty in art of the poetry, he has deeply suffered by the western romanticism and estheticism of 19th century.
笔者试图以牛汉诗歌美学风格的变化为切入点，对“七月”诗派与“九叶”诗派在审美品格、思想文化渊源、诗艺特点等方面进行历时性的比较研究。
The paper has conducted a comprehensive study on looking into the aspects of aesthetic character, the source of ideological culture between "July Style" and "Nine Leaves Style" poets.
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
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