本文从押韵，音似以及迭字、迭韵三个方面揭示许先生理论和实践的若干失误，再次重申内容重于形式的观点。
This essay brings to the fore some of his faults in such aspects as rhyming, assonance, character-repetition and vowel-…
本文从押韵，音似以及迭字、迭韵三个方面揭示许先生理论和实践的若干失误，再次重申内容重于形式的观点。
This essay brings to the fore some of his faults in such aspects as rhyming, assonance, character-repetition and vowel-…
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