之后，余华又于1992年与1995年写出了长篇小说《活着》和《许三观卖血记》充分地显示出余华新的小说创作风格的形成或成熟。
His novels after this, especially his 1992 Surviving and 1995 Stories of Xu Sanguan's Blood Sale, fully manifest the establishment and maturity of his new style.
又在《许三观卖血记》获得更深层的生命意识，“苦难与重复相依为命”，以“卖血”换得个人生存价值，升华生命意识；
And in A Story of XU San-guan Selling Blood, YU Hua has a profound awareness about life, which expresses the idea of suffering together with repetition.
许筠的情感美学观摆脱性理学的性情美学，阐明了情感的美学意义。
Free from affective aesthetics in temperamental rationalism, Ho Kyun's affective aesthetic outlook expounds on the aesthetic meanings of feeling.
许三观和阿q在内涵意义上是一致的，他们都形象地反映了人类通过种种虚设的理由以获得心理平衡和精神胜利的原始心理和精神机制。
XUN Sanguan shares the same connotation with A-Q, from the aspect of reflecting the primitive mental drive getting the psychic balance with fake reasons.
《许三观卖血记》以广博的温情描画了磨练中的人生，以剧烈的故事方式表达了人在面临厄运时求生的愿望。
The reposed "with the great warmth depicts the life, with intense trials of story form expressed in the face of bad luck when people desire to survive."
《许三观卖血记》以广博的温情描画了磨练中的人生，以剧烈的故事方式表达了人在面临厄运时求生的愿望。
The reposed "with the great warmth depicts the life, with intense trials of story form expressed in the face of bad luck when people desire to survive."
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