蒋志早年最为出名的作品是《食指》纪录片。
Jiang Zhi's most famous early work was the documentary "Index Finger."
蒋志是中国九十年代实验艺术的背景下成长起来的艺术家。
Jiang Zhi is an artist who developed amidst a backdrop of 1990s experimental art in China, during which the country underwent a series social transformations.
这是蒋志如此偏爱利用媒体、公众人物、社会性事件的原因。
This is why Jiang Zhi likes to take material from the media, public figures, and societal events;
蒋志的黑白摄影表现了两位并置相依的黑白舞者，其对比十分鲜明，令人惊异。
Jiang Zhi's black and white photographs of two dancers are juxtaposed against one another. The contrast is startling;
蒋志似乎在套用某种现成的视觉逻辑来提醒我们注意所谓的“真实”是被建构出来的。
Jiang Zhi seems to be mechanically applying a kind of readymade visual logic, in order to call our attention to the constructed nature of our so-called "reality."
可见，蒋志对“社会”这个虚拟的权力集中体对自然人、个体性命的操控有着知性的敏感。
It is clear that Jiang Zhi has an intellectual sensitivity to "society," this fictitious entity whose power is concentrated on the control of individual lives.
就蒋志而言，他的作品包括了身体、性别、大众消费文化等各种话题，也经常涉及一些社会性事件，但其价值却建立在他呈现问题的方式上。
In the case of Jiang, his works engage with issues of the body, gender, mass consumerism, etc., and often involves recent social events whose value is established in the way he presents the problem.
就蒋志而言，他的作品包括了身体、性别、大众消费文化等各种话题，也经常涉及一些社会性事件，但其价值却建立在他呈现问题的方式上。
In the case of Jiang, his works engage with issues of the body, gender, mass consumerism, etc., and often involves recent social events whose value is established in the way he presents the problem.
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