芳婷II通过货运物流完好地抵达我家门口。
The Fontaine II speakers arrived at my door in perfect condition via consignment shipper.
表面上，升级版本的芳婷ii与之前的芳婷一代有很大变化。
Ostensibly an updated version of the original Fontaine monitor, the EgglestonWorks Fontaine II loudspeaker represents a significant departure from its predecessor.
芳婷II是两分频、三喇叭设计，并采用了高素质的魔雷和丹拿单元 。
The Fontaine II loudspeaker is a two-way, three-driver design, and makes use of very high-quality drivers sourced from Morel and Dynaudio.
让我吃惊的是，没想到这种做法也用到更小的，更轻的，更便宜的芳婷ii身上。
What did surprise me was that this practice is also extended to the smaller, lighter and less expensive Fontaine II model.
魔雷和丹拿的喇叭单元使用在芳婷II上，在实现其性能峰值前需要长时间的熟化。
The Morel and Dynaudio drivers utilized in the Fontaine II speaker require a significant amount of break-in before attaining their performance peak.
为了减轻重量、方便安置，二代芳婷避开了早期模型采用花岗岩作为箱体两侧面板。
To reduce weight and make placement easier, the Fontaine II eschews the earlier model's employment of granite panels on the speaker's sides.
原来的芳婷是一个很大落地箱，在其二代化身后箱体已经变得很小巧、优雅、地轴承架。
Where the original Fontaine was a large, stand-mounted monitor, in its second incarnation, the speaker has been transformed into a small, elegant floorstander.
芳婷II自上而下只有一个声音，让我更容易忽视播放系统，只是沉浸在自己的音乐中。
From top to bottom, the Fontaine II spoke with one voice, allowing me to more easily ignore the playback system and simply immerse myself in the music.
由摆位试验，我得出结论，芳婷II音场深度有限是因为它比其他产品更要靠近后墙摆放。
Experimenting with placement, I came to the conclusion that the Fontaine II speakers' limited depth portrayal was a product of their closer-than-usual placement to the rear wall of the listening room.
有紧绷感和控制力，没有多余的低音和膨胀，芳婷ii快速和有节奏感的低频把音乐完美地向前推进。
Taut and controlled, with no overhang or bloat, the Fontaine II's quick and rhythmic bass response did a consummate job of propelling the music forward.
芳婷ii的声音非常干净、快速、动态感强，这种素质让我更容易联想到静电设计音箱而非传统动力音箱。
The Fontaine II speakers were extremely clean, quick and dynamic, qualities I more readily associate with an electrostatic design than a conventional dynamic one.
适当角度内斜调位，芳婷ii的高频快速、干净、渗透感强，没有那种拖音、干瘪、或者其他机械的呆板的声音。
With proper toe-in, the Fontaine II's high frequencies were quick, clean and extended, without a trace of grain, compression or other mechanical artifice.
适当角度内斜调位，芳婷ii的高频快速、干净、渗透感强，没有那种拖音、干瘪、或者其他机械的呆板的声音。
With proper toe-in, the Fontaine II's high frequencies were quick, clean and extended, without a trace of grain, compression or other mechanical artifice.
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