《戏作三昧》与《地狱变》是阐述芥川龙之介的艺术至上主义思想的重要作品。
Gesakuzanmai and Zigokuhen are important work expounding art for art's sake of Ryucnosuke Akutagawa.
他的文学主张最明显的特点是建立在新人文主义基础上的二元人性论 ，而艺术至上主义却时隐时现地贯穿于他批评活动的始终。
The most evident feature of his literary stand was the dualistic theory of human nature based on the theory of New Humanism.
追求艺术至上、重视感官享乐的上海唯美主义思潮在20世纪中国文学史上有着重要影响。
Shanghai aestheticism, which pursue artistic supremacy and be attend to sensory pleasure, has an important impact in the 20th Chinese history of literature.
它就像用户至上主义后方的壕沟艺术。
作为唯美主义的代表作家，王尔德信奉“艺术至上”的纯艺术理论，主张艺术高于自然与生活，是非功利、超道德且纯“形式”的。
Oscar Wilde believes that "art is supreme" in his pure artistic theory, thinking that art is higher than nature and life, not related to ultra morals, but a pure "form".
王广义就像结构主义艺术家芭芭拉克鲁格或约翰‧巴尔代萨里等的消费主义至上者，结合一些看似不同的图像、形式和语言，提出宏观的哲学问题。
Like other consumerism-minded, structuralist artists Barbara Kruger (Fig. 3) or John Baldessari, Wang combines seemingly disparate images, forms, and language to raise broad philosophical questions.
王广义就像结构主义艺术家芭芭拉克鲁格或约翰‧巴尔代萨里等的消费主义至上者，结合一些看似不同的图像、形式和语言，提出宏观的哲学问题。
Like other consumerism-minded, structuralist artists Barbara Kruger (Fig. 3) or John Baldessari, Wang combines seemingly disparate images, forms, and language to raise broad philosophical questions.
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