第二章，王士禛对《聊斋志异》的接受。
Chapter Two, Reception of Wang Shizhen towards "Strange Tales of Liaozhai".
影片根据中国古典名著《聊斋志异》改编。
According to the classical masterpiece "the film adaptation of" Strange Tales from Liaozhai Chinese.
第二章重点研究《聊斋志异》从文字到影象的转换。
The second chapter studies the transformation from the text to image of Strange Tales of a Lonely Studio.
《聊斋志异》以谈狐说鬼为主要内容，与佛教有着密切的联系。
Liaozhai Zhiyi, a novel mainly about foxes and ghosts, is closely related with Buddhism.
《聊斋志异》中的叙事意象包括植物意象、动物意象、人文意象等。
Liaozhaizhiyi "narrative image including plant image, animal image, humanities image and so on."
《聊斋志异》中，已经出现了儒商的形象，这是文言小说的重大收获。
The images of scholar businessman appeared in Liao Zhai, which is a great achievement of the classical novels.
在研究《聊斋志异》叙事模式的过程中，叙事意象应该引起应有的重视。
Through the research of the narrative pattern of "Liaozhaizhiyi", the narrative image should bring to the attention which should have.
第一部分主要论述了《聊斋志异》选择与“本事”相通的题材模式的原因。
The main idea of the first part is the reason why the subject matters of LiaoZhaiZhiYi are connected with the source material.
可以说他的情感生活、不同年龄阶段的创作心态都寄托在了《聊斋志异》当中。
In fact, his emotional life and the psychology of his creation are implied in this great work.
新版《画皮》是根据中国古典名著《聊斋志异》改编而拍成的魔幻爱情连续剧。
Painted Skin is based on the classic Chinese story collection of Strange Tales of Liaozhai.
本文选择了《聊斋志异》与道教文化的核心——道教神仙信仰这一视角作了阐述。
This thesis makes an exposition from the perspective of Strange Tales from a Lonely Studio and the Taoist belief in immortals, which is the center of the culture of Taoism. I.
《聊斋志异》中有70余篇涉及到了商人和商业活动，这与蒲松龄个人的特殊境遇相关。
More than 70 novels in Strange Stories from a Chinese Studio deal with merchants and commercial activities. This is related with Pu Songling's special individual circumstances.
假设他想开了把精力都用在《聊斋志异》上，会不会更能体现蒲老先生的才气和思想呢？ ！
Assume that he would like to open all of the energy used in the "Strange Stories" on the old man would better reflect the brilliance of Po and thinking?!
本文以蒲松龄《聊斋志异》为个案分析，对文言短篇小说的叙事艺术进行理论的疏理和总结。
This thesis coordinates and summarizes the theory of the narrative art of the short story of classical Chinese, based on analyzing the case study of Pu Songling's Liaozhai.
本文从叙事学的角度论述“异史氏曰”，认为“异史氏曰”是《聊斋志异》中的干预叙述者。
This article elaborates"Yishishi Comments"from the angle of narrative theory. Itargnes"Yish- ishi Comments"is Intervention narration of a"Strange Stories from a Chinese Studio".
第二部分，从佛教文化的宏观视野对《聊斋志异》中与佛教文化有关的作品进行重新统计和分类。
Second part, Carrying on statistics and classification again to the works related to Buddhism culture in LiaoZhaiZhiYi from the macroscopical vision of Buddhism culture.
《聊斋志异》是中国文学史上一部优秀的文言短篇小说集，是一部值得中外读者细细品味的经典之作。
Strange Tales from the Liaozhai Studio is one of the best collections and readers of classical Chinese fiction.
与之前的志怪小说相比，《聊斋志异》对异类形象的态度呈现出一种新的审美价值偏向：异类仙化倾向。
Strange Tales from a Chinese Studio shows a new aesthetic value preference in its attitude toward alternative images: a tendency towards alternative immortalization.
通过对这个过程的分析，揭示一些在《聊斋志异》中重复出现的意象、母题、主题、深层结构和有意思的语言现象。
Through an analysis of the process, this paper reveals some images, themes, leitmotifs, deep structures and interesting language phenomena which recur in this collection of short stories.
除具有深刻的社会意义以及鲜明，生动的艺术形象之外，生动，准确的语言，善于用典是《聊斋志异》的另两大特色。
Besides profound social significance and lively depicted images, vivid and accurate diction as well as frequent use of allusions are another two features of Liao Zhai.
被誉为中国古典文学史上最好的小说之一的《聊斋志异》，以其深刻的主题和独特的艺术手法而倍受推崇并被译成多国文字。
The LiaoZhai Tales is praised as one of the best Chinese fictions in classical Chinese language, which has been translated into many other languages due to their thematic and artistic achievements.
阴阳变易、角色越界以及表现场的转变和突破，是聊斋故事生成的深层原因，这些因素合力催生了《聊斋志异》，使它具有道德救赎和文化复苏的意义。
The essential reasons of the formation of"LiaoZhai"stories exist in such factors as the change of YinYang, the role transgression and the transformation and breakthrough of the expression field.
阴阳变易、角色越界以及表现场的转变和突破，是聊斋故事生成的深层原因，这些因素合力催生了《聊斋志异》，使它具有道德救赎和文化复苏的意义。
The essential reasons of the formation of"LiaoZhai"stories exist in such factors as the change of YinYang, the role transgression and the transformation and breakthrough of the expression field.
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