事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(ImaiTadashi)的《待到重逢时》(UntilWeMeetAgain, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
在此次谈论中所表达的观点只是罗门。尼斯的一些观点。
The opinions expressed in this commentary are solely those of Joe Solmonese.
在此次谈论中所表达的观点只是罗门。尼斯的一些观点。
The opinions expressed in this commentary are solely those of Joe Solmonese.
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