她强硬要控制文化方面的事业，喜欢贝多芬的第六交响曲，不喜欢雷斯庇基的《罗马的松树》。
She exerted an iron hold on the culture, preferring Beethoven's Sixth Symphony to his triumphalist Fifth, disliking Respighi's "Pines of Rome".
我正在找贝多芬第六交响曲的唱片。
至少第四、第五和第六交响曲是这样。
At least not the fourth, the fifth and the sixth symphonies.
他的第五和第六交响曲都是在那里写的。
It was there that he wrote both the Fifth and the Sixth Symphonies.
让我们现在来听一点贝多芬，他的第六交响曲，田园交响曲。
Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
第二部分则对具有代表性的第三交响曲、第六交响曲和第九交响曲进行了全面的作品分析；
The second part carry on the comprehensive music analysis to the 3rd, the 6th and the 9th symphony separately;
她强硬要控制文化方面的事业，喜欢贝多芬的第六交响曲，不喜欢雷斯庇基（意大利作曲家）的《罗马的松树》，即使她发现不仅仅是关于松树的。
She exerted an iron hold on the culture, preferring Beethoven's Sixth Symphony to his triumphalist Fifth, disliking Respighi's "Pines of Rome" when she found it was not just about pine trees.
一八零八年贝多芬同时颁发了第五号交响曲「命运」与第六号交响曲「田园」。
" Also published in 1808 by Beethoven Symphony No. 5 "Fate" and Symphony No. 6 "Pastoral.
一八零八年贝多芬同时颁发了第五号交响曲「命运」与第六号交响曲「田园」。
" Also published in 1808 by Beethoven Symphony No. 5 "Fate" and Symphony No. 6 "Pastoral.
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