符号学美学属于美学的一个分支。
卡西尔的“符号学美学”理论是建立在他的人类文化哲学的体系之上的。
Cassirer's theory of "semiotic aesthetics" is based on his philosophic system of ethnolinguistics.
利用符号学以及符号学美学的方法来系统地剖析中国古代书籍装帧艺术，可以发现书籍装帧艺术是一套典型的符号系统。
Analyzing traditional Chinese book design art by semiotics and semiotic aesthetics, we come to the conclusion that the book design art language is a typical sign system.
将符号美学观点引入产品设计风格的解读，对产品设计风格的符号学意义以及设计风格延续的符号学意义作了尝试性探析。
Introducing the view of semiotics aesthetics to the interpretation of product design, it made some attempts of semiotic significance of product design style and design style continuity.
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
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