通过对郭祖荣《降D调钢琴与乐队》的意境和表现，进行分析，并从作曲家的创作背景入手，对作曲家的创作心理进行探讨。
Through analysising Guo Zurong's Flaat D Piano and Band, seek the composer's composing psychology from the background of composition.
我总是以出生在Hikkaduwa为荣，然而Prasanna才是祖屋真正的儿子，在他弥留的最后片刻，是屋墙将他围了起来。
I have always been proud that I was born in Hikkaduwa, but Prasanna was the true son of the Hikkaduwa house; the house whose walls enclosed him in his last moments.
我总是以出生在Hikkaduwa为荣，然而Prasanna才是祖屋真正的儿子，在他弥留的最后片刻，是屋墙将他围了起来。
I have always been proud that I was born in Hikkaduwa, but Prasanna was the true son of the Hikkaduwa house; the house whose walls enclosed him in his last moments.
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