所有这些都是靠一支完整的“盗梦人”团队来运作，他们建 构梦境并在梦中伪造身份，甚至通过药物来实现几个人享有同样的梦境。
This is done by an entire team of "extractors" who design the architecture of the dreams, forge identities within the dream and even pharmacologically help several people to share these dreams.
《盗梦空间》极佳的展示了克里斯托弗·诺兰对时间和空间的把握，但是斯科塞斯的“哥特般恶魔”是对被压抑的种种的更深层次也更让人不安的挖掘。
"Inception" was an impressive demonstration of Christopher Nolan's command of time and space, but Scorsese's gothic nightmare was an altogether deeper and more troubling excavation of the repressed.
克里斯托弗·诺兰在其别具风格的有关睡眠的惊悚片《盗梦空间》(“Inception ”)中给出了答案：我们两者皆是，既是蝴蝶，也是人。
In Christopher Nolan's stylish sleep thriller "Inception" he answers we're both — butterfly and man.
老兄，我自己看了两遍《盗梦空间》，我已经习惯一个人了。
Dude I saw Inception twice by myself. I'm addicted to chronic masturdating.
老兄，我自己看了两遍《盗梦空间》，我已经习惯一个人了。
Dude I saw Inception twice by myself. I'm addicted to chronic masturdating.
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