由于钟惦棐历来强调电影艺术家和评论家要注重自身修养,故其电影美学观念也体现和渗透着他的人格精神,对此也实有必要进行探讨和总结。
Due to his consistent emphasis on the self-cultivation of film artists and critics, his view on film aesthetics embodies and permeates his personality, for which it is necessary to ma…
本研究试图从包含经济、社会、美学的总体史观念对新千年以来两岸青春电影进行系统地论述。
This article try to systematically discuss the cross-strait youth movie from the point of general history including economic, social, and aesthetic concepts since2000.
本研究试图从包含经济、社会、美学的总体史观念对新千年以来两岸青春电影进行系统地论述。
This article try to systematically discuss the cross-strait youth movie from the point of general history including economic, social, and aesthetic concepts since2000.
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